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³í¹®¸í Çö´ë°ÇÃà¿¡ ³ªÅ¸³­ ½ÅÇÑ¿Á °èȹÀÇ Æ¯¼º¿¡ °üÇÑ ¿¬±¸ / A Study on the Characteristics of New Hanok design in the Contemporary Architecture
ÀúÀÚ¸í ÀÌ¿Ï°Ç
¹ßÇà»ç Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
¼ö·Ï»çÇ× Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý, v.18 n.3(Åë±Ç 74È£) (2009-06)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(20) ÃÑÆäÀÌÁö(9)
ISSN 12297992
ÁÖÁ¦ºÐ·ù °èȹ¹×¼³°è
ÁÖÁ¦¾î ÇÑ¿Á ; ½ÅÇÑ¿Á ; Çö´ëÁÖÅà ; ÀüÅ뼺 ; µðÀÚÀÎ ¾îÈÖ ; µðÀÚÀÎ ¿¬»ê ; Hanok ; New Hanok ; Contemporary House ; Traditionality ; Design Vocabulary ; Design Process
¿ä¾à2 Recently, the interest is increased rapidly about the New Hanok as contemporary house. Therefore, the purpose of this paper is to recognize New Hanok as valuable things, which represents traditionality of urban, and to seek how it can be developed as contemporary house. This research analyze the characteristics of New Hanok is built since 2000. The result are as followings. First, many contemporary architects used only the roofing tiles and traditional Hanok elevation design as the design vocabulary of New Hanok. In future, the design vocabulary of New Hanok must be developed variously. Secondly, the construction of New Hanok is possible from the land of minimum 100§³ in a city can be found. Thirdly, as a result of having analyzed at the form and the spatial side, it has been analyzed that New Hanok can be divided into 3 types in the form side, which is ¡®the transfiguration of format¡¯, ¡®the motive borrowing of traditional elements¡¯, ¡®the vertical extension and reconstruction¡¯. In the spatial side, it has been analyzed that New Hanok can be divided into 3 types, which is ¡®the center of Madang¡¯, ¡®the integration of circulation¡¯, ¡®the transfiguration of design principle¡¯. Lastly, The contemporary architects were analyzed into having a thought that New Hanok must maintain an appearance of Hanok.
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