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³í¹®¸í ÀÌÅä µµ¿ä °ÇÃà¿¡¼­ ³ªÅ¸³ª´Â Åõ¸í¼ºÀÇ Æ¯¼º¿¡ °üÇÑ ¿¬±¸ / A Study on the Characteristics of Transparency in the Architecture of Toyo Ito / 05. Á¦3ºÐ°ú ¿ª»ç¡¤ÀÇÀå ¹× °ÇÃà·Ð
ÀúÀÚ¸í ÃÖÅ¿í½Äº°ÀúÀÚ ; Ãֵγ²
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ÁÖÁ¦¾î Åõ¸í¼º ; Áö°¢ ; °ø°£ ; °æ°è ; Transparency ; Perception ; Space ; Demarcation
¿ä¾à2 The purpose of this study is to analyze various levels of discourse on Transparency in architecture, and redefine and classify them into three apparent types, which include Visual Transparency (Visual perception of space over demarcation), Ideal Transparency (Analogizing space over opaque demarcation, based on the discourse of Colin Rowe's phenomenal transparency) and Ambiguous Transparency (Vague visual and ideal perception through translucent demarcation). From these three standpoints, Toyo Ito's architectures are thoroughly analyzed to find out how those notions of transparency are respectively represented in his buildings. Each transparency, among three concepts stated above, acts as an important factor to represent another notion of transparency and they also occasionally show up all together simultaneously. Moreover, with the use of different methods of construction and the application of technology on the architecture, manipulated transparency, which is unprecedented and new-type of transparency, has been shown and percepted.
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À±Çý°æ(Yoon Hae-Kyung) ; ±èÁÖ¿µ(Kim Ju-Young) ; È«¿øÈ­(Hong Won-Hwa) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.02 (201002)
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