| 논문명 |
1950-60년대 존 헤이덕의 초기 건축실험에 나타난 시리얼리즘에 관한 연구 / A Study on the Serialism in the Early Architectural Experiments of John Hejduk in the 1950-60s |
| 저자명 |
배윤천(Bae Yoon-Cheon) ; 이강업(Lee Kang-Up) |
| 수록사항 |
대한건축학회논문집 계획계, v.24 n.10 (2008-10) |
| 주제어 |
시리얼리즘 ; 재현 ; 재현모델 ; 반복 ; 기원 ; 모사 ; Serialism ; Representation ; Representational Model ; Repetition ; Origin ; Copy |
| 요약2 |
The purpose of this study was to analyze the serialism in the architectural experiments of John Hejduk after 1950s. The serial form employed by Peter Eisenman and john Hejduk since the late 1950s undermines a representational model of architecture and offers a productive use of repetition of profound consequences for practice and criticism. In light of the argument made by Jacques Derrida and Gilles Deleuze that repetition is not a reiteration of the same but a dynamic process of affirming difference, lateral repetitions made by Eisenman and Hejduk can be seen to dissolve the distinction between origin and copy, form and idea. These distinctions are preserved, albeit with a sense of irony, in the appropriation of historical examples which is consistently regarded as the defining practice of post-modern architecture. Thus, the series and repetition in Eisenman's and Hejduk's work has consequences for the recent history of architecture in addition to its effects on their subsequent work and the challenges it presents for us now faced with technologies of repetition which take these operations to new speeds and intensities. |
