°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

´ëÇѰÇÃàÇÐȸ|´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è 2008³â 8¿ù

³í¹®¸í ¼þ·Ê¹®°ú ÈïÀÎÁö¹®ÀÇ ±¸Á¶Ã¼°è ºñ±³ ¿¬±¸ / A Comparative Study on the Structure System of Sungnyemun and Heunginjimun
ÀúÀÚ¸í À̿ձâ(Lee Wang-Kee) ; ±è»óÁ¶(Kim Sang-Jo)
¹ßÇà»ç ´ëÇѰÇÃàÇÐȸ
¼ö·Ï»çÇ× ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è, v.24 n.8 (2008-08)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(151) ÃÑÆäÀÌÁö(8)
ISSN 12269093
ÁÖÁ¦ºÐ·ù ¿ª»ç / ±¸Á¶
ÁÖÁ¦¾î ¼þ·Ê¹® ; ÈïÀÎÁö¹® ; ±¸Á¶Ã¼°è ; °¡±¸±¸Á¶ ; ±¸¼º¿ä¼Ò ; Sungnyemun ; Heunginjimun ; Structure System ; Components
¿ä¾à2 When traditional architecture is divided into frame structure and components, frame structure can be sorted by the form of main section, eave protrude, the position of middle purlin, rafter installation technique, afloat head penetrating tie and upper middle purlin, middle collar beam and others, and components which are determined on the design of the building can be classified by anchogong, bracket structure, joosun, boa-gee and truss post. Frame structure does not change with the changes of the times as it is the structural part, but components changes with the changes of the time. The whole balance in the frame structure should be emphasized because it is the base of maintenance and preservation with the theory that using optimal structure members is the most decorative design.
¼ÒÀåó ´ëÇѰÇÃàÇÐȸ
¾ð¾î Çѱ¹¾î
ºÐ¼®¼­Áö
°ÇÃ࿪»ç ¹× ÀÌ·Ð > Çѱ¹ ÀüÅë°ÇÃà > ¼º°û ¹× µµ½Ã

ÀÌ ¿¬±¸´Â ÇѾ缺°ûÀÇ ´ëÇ¥ÀûÀÎ ¼º¹®ÀÎ ¼þ·Ê¹®°ú ÈïÀÎÁö¹®À» ´ë»óÀ¸·Î ±¸Á¶°èȹÀ» ºÐ¼®Çϰí, °ÇÃ๮ȭÀç ¼ö¸® ¹× º¸¼ö ½Ã Àå±âÀûÀÌ°í ¾ÈÁ¤ÀûÀÎ ±Ùº»´ëÃ¥À» ¼¼¿ì´Âµ¥ ºÐ¼®°á°ú¸¦ Ȱ¿ëÇÒ ¼ö ÀÖµµ·Ï ÇÏ´Â °ÍÀ» ¸ñÀûÀ¸·Î ÇÏ¿´´Ù. À̸¦ À§ÇØ, µÎ ¼º¹®·çÀÇ °¡±¸-󸶳»¹Ð±â, ¼­±î·¡ ¼³Ä¡¹æ¹ý, Ãß³à µÞ»Ñ¸®Ã³¸® ¹æ¹ý, °øÆ÷ÀÇ ±¸Á¶Àû Ư¼º-¸¦ ºñ±³Çϰí, °¢ ±¸¼º¿ä¼Ò-ÁÖ¼± ¹× º¸¾ÆÁö, µ¿ÀÚ´ë°ø°ú ÆÄ·Ã´ë°ø, ÷Â÷¿¡¼­ °ø¾ÈÀÇ ¿ªÇÒ, ¾ÈÃʰø, ÁÖÀå÷Â÷, ÇÏÃþ ³»Ãâ¸ñ °£°Ý-À» ºñ±³ÇÏ¿´´Ù. ±× °á°ú, °¡±¸ÀÇ Â¥ÀÓ¿¡ À־ ±¸Á¶ÀûÀÎ ±â¹ýÀ¸·Î º¼ ¶§ ½Ã´ëÀûÀ¸·Î Å©°Ô º¯È­ÇÏÁö ¾ÊÀ¸¸ç, °Ç¹°ÀÇ ÀÇÀåÀ» °áÁ¤Áþ´Â ±¸¼º¿ä¼ÒÀÎ ¾ÈÃʰø, °øÆ÷, ÁÖ¼±, º¸¾ÆÁö, ´ë°ø µîÀº ½Ã´ëÀû º¯È­¿Í ÇÔ²² Å©°Ô º¯Çϰí ÀÖÀ½À» ¹àÇû´Ù. ¶ÇÇÑ, °øÆ÷¿¡¼­ Ãâ¸ñ ¼ö Áõ°¡´Â ±¸Á¶ÀûÀÎ ¸ñÀûµµ ÀÖÀ¸¸ç, ÁöºØ°¡±¸¸¦ ±¸¼ºÇÏ´Â °øÆ÷ºÎºÐ, Áßµµ¸®ºÎºÐ, Á¾µµ¸® ºÎºÐÀÌ °¢°¢ÀÇ ´Ü¸é¼º´É ºñÀ²ÀÌ ÀÏÁ¤ÇÒ ¶§, ±¸Á¶ÀûÀ¸·Î ¾ÈÁ¤ÀûÀ̶ó°í ÇÒ ¼ö ÀÖÀ½À» º¸¿´´Ù. ÀúºØÀÇ Ã³¸¶³»¹Ð±â¿¡ À־´Â ¼þ·Ê¹®Àº ±× ´Ü¸é¼º´ÉºñÀ²ÀÌ ÀÏÁ¤ÇÏ¿© ±ÕÇüÀûÀÌÁö¸¸, ÈïÀÎÁö¹®Àº 󸶳»¹Ð±â°¡ »ó´ëÀûÀ¸·Î Ä¿¼­ ±ÕÇüÀûÀÌÁö ¸øÇÔÀ» ³íÇÏ¿´´Ù.
¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
Á¶¼±Èı⠼±ÀÚ¿¬ Ä¡¸ñ±â¹ý¿¡ °üÇÑ ¿¬±¸
±è¿ÕÁ÷(Kim Wang-Jik) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.05 (201005)
Çѱ¹ ÀüÅë°ÇÃà ÆÈÀÛÁöºØÀÇ Ê­Ï°¿¡ °üÇÑ ¿¬±¸
¾çÀ翵(Yang Jae-Young) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.25 n.02 (200902)
Á¶¼±Èıâ ÁöºØ±¸Á¶ÀÇ »õ·Î¿î ½Ãµµ
±èµ¿¿í - °ÇÃ࿪»ç¿¬±¸(Çѱ¹°ÇÃ࿪»çÇÐȸÁö) : v.19 n.2(Åë±Ç 69È£) (201004)
[ÀÚ·á] ÇÑ¿ÁÀÇ ¼³°è¿Í ½Ã°ø±â¹ý
±èµµ°æ - °ÇÃ࿪»ç¿¬±¸(Çѱ¹°ÇÃ࿪»çÇÐȸÁö) : v.17 n.6(Åë±Ç 61È£) (200812)
ðÈàØãÁÓÛ ñìöµÙÊðãËïõéÀÇ ï®ÊÇÝ» ʭϰÛöÀÇ Çü½Ä°ú ±¸Á¶Àû Ư¼º
ÀÌÀº¼ö(Lee Eun-Soo) ; È«º´È­(Hong Byung-Hwa) ; ±è¼º¿ì(Kim Sung-Woo) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.25 n.12 (200912)
¼®Å¾ ±â´ÜºÎ Àû½É±¸¼º¹æ¹ý¿¡ ´ëÇÑ Æ¯¼º °íÂû
Á¤ÇصΠ; Àå¼®ÇÏ - °ÇÃ࿪»ç¿¬±¸(Çѱ¹°ÇÃ࿪»çÇÐȸÁö) : v.16 n.5(Åë±Ç 54È£) (200710)
¾ÈÃʰøÀÇ ¹ß»ý°ú º¯Ãµ¿¡ °üÇÑ ¿¬±¸
ÀÌÇý¸° ; ȲÁ¾±¹ - ´ëÇѰÇÃàÇÐȸ Ãá°è ¿ì¼öÁ¹¾÷³í¹®Àü ¼ö»ó³í¹® °³¿äÁý : Á¦6ȸ (201004)
Á¶¼±¿Õ¸ª 8°£(Êà) Á¤ÀÚ°¢(ïËí®ÊÈ) °íÂû
±è¿ÕÁ÷ - Çѱ¹°ÇÃ࿪»çÇÐȸ Ãá°èÇмú¹ßÇ¥´ëȸ ³í¹®Áý : (200805)
°í·Á½Ã´ë ¸ñÁ¶°ÇÃà °á±¸±â¹ý¿¡ °üÇÑ ¿¬±¸
Ȳ¼¼¿Á ; ±èºÀ°Ç - Çѱ¹°ÇÃ࿪»çÇÐȸ Ãß°èÇмú¹ßÇ¥´ëȸ ³í¹®Áý : (200911)
ÀüÅë ¸ñ±¸Á¶ ÆÈÀÛÁöºØ Ãß³àºÎÀçÀÇ ±¸Á¶Àû º¸°­ Ư¼º¿¡ °üÇÑ ¿¬±¸
Á¶Ã¶Èñ(Cho Cheol-Hee) ; ½Å¿ë¼®(Shin Yong-Seok) ; Á¶À±Èñ(Cho Youn-Hee) ; ³ë¼º¿­(No Seong-Ryeol) ; ±èÁ¤¼·(Kim Jeong-Sup) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý ±¸Á¶°è : v.26 n.03 (201003)