| 논문명 |
미술관 전시공간의 시각구조 분석 / An Analysis on The Visual Configuration of an Exhibition Space in Art Museum / 개실형 전시공간의 분석을 중심으로 |
| 수록사항 |
한국실내디자인학회 논문집, v.16 n.6(통권 65호) (2007-12) |
| 주제어 |
개실형미술관 ; 시각적 공간구조 ; 개구부 ; 벽 구성 ; 관람자 분포 ; Room to room art museum ; Visual spatial configuration ; Opening ; Wall composition ; Spatial distribute |
| 요약1 |
본 연구에서는 이러한 일반적인 벽면 구성과 개구부의 위치에 따른 공간 조합 관계를 시각적 구조로 분석함으로 개실형 미술관의 특성을 연구하는 것을 목적으로 한다. |
| 요약2 |
In the spatial configuration of room-to-room art museums, openings and walls are important physical factors, and openings are a medium for connecting spaces. Also, by spatially composing walls and openings, spaces can be connected visually and physically, and movements and directions may vary depending on the location or size of walls and openings. In this study, 5 museums are investigated: Sainsbury Wing in London, Gemaldegalerie in Berlin, Alte Pinakotkek in Munich, Neue Pinakothek in Munich, and Staatsgalerie Stuttgart in Stuttgart. Using DepthMap program, the characteristics of visual-spatial composition of each museum are derived by comparing the Connectivity, Visual integration, and Isovist maximum radial. From an analysis of spatial distribution, a relationship with visibility is investigated. The results of this study showed that the combination of visual axial lines affect the spatial configuration of the room-to-room museums. Depending on the location of opening, the museums can be classified as follows: 1) Museums with the 1st visual axial line and the 2nd and 3rd auxiliary visual axial lines ; 2) museums with several equal visual axial lines; and 3) museums with only center axial line. |
