°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

´ëÇÑ°ÇÃàÇÐȸ|´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è 2007³â 12¿ù

³í¹®¸í Çö»óÇÐÀÌ °ÇÃàÀ̷п¡ ¹ÌÄ£ ¿µÇâ°ú Çö»óÇÐÀû °ÇÃ༳°è ¹æ¹ý·ÐÀÇ °¡´É¼º¿¡ ´ëÇÑ ¿¬±¸ / A Study on the Design Methodology of Phenomenological Architecture Based on Influences of Phenomenology on Architectural Discourse
ÀúÀÚ¸í ±è±¤¹è½Äº°ÀúÀÚ
¹ßÇà»ç ´ëÇÑ°ÇÃàÇÐȸ
¼ö·Ï»çÇ× ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è, v.23 n.12 (2007-12)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(19) ÃÑÆäÀÌÁö(10)
ISSN 12269093
ÁÖÁ¦ºÐ·ù ÀÌ·Ð
ÁÖÁ¦¾î Çö»óÇÐ ; °ÇÃà Çö»óÇÐ ; µðÀÚÀÎ ¹æ¹ý·Ð ; Áö°¢ ; °¨°¢ ; Phenomenology ; Phenomenological Architecture ; Design Methodology ; Perception ; Sense
¿ä¾à1 º» ¿¬±¸¿¡¼­´Â ¿ì¼± »ç°íÀÇ ½Ã´ëÀû ÀüȯÀÇ Á߽ɿ¡ ÀÖ´Â Çö»óÇÐÀÇ ¹è°æ°ú ±× ¹ßÀü °úÁ¤À» »ìÆ캽°ú µ¿½Ã¿¡ ÀÌ°ÍÀÌ °ÇÃà À̷п¡ ¾î¶»°Ô Àû¿ëµÇ¾î ¿Ô´ÂÁö¸¦ ¾Ë¾Æº¸°íÀÚ ÇÑ´Ù.
¿ä¾à2 This thesis starts from the study of phenomenology which is on the center of the transition of architectural ideas in contemporary age. The tendency of visual interpretation of architecture, as just a sign or forming, had been continued for a long time even though architecture is completed with primary spatial senses and whole bodily perception of experiences. After 1980's, however, the sensible or psychological aspect of architecture has been recognized. And the original purpose of architecture, as a subject of human being, has been paid attention. Thus, the intent of this thesis is to study on general ideas of phenomenology, to scrutinize the theory of phenomenological architecture, and to explore the possibility of developing the design process of architecture based on a theory and analysis of practical examples of phenomenological architecture.
¼ÒÀåó ´ëÇÑ°ÇÃàÇÐȸ
¾ð¾î Çѱ¹¾î
ºÐ¼®¼­Áö
°ÇÃ࿪»ç ¹× ÀÌ·Ð > Çö´ë°ÇÃà ÀÇÀå·Ð

ÀÌ ¿¬±¸´Â Çö»óÇÐÀÌ ´Ù¸¥ Çй®¿¡ ±¤¹üÀ§ÇÏ°Ô Àû¿ëµÉ ¼ö ÀÖ´Â ±âÃÊÇÐÀÇ ¼º°ÝÀ» °¡Áö°í ÀÖÀ½¿¡µµ ƯÁ¤ °ÇÃà°¡¸¦ ¼³¸íÇÒ¶§ ÁýÁߵǾî ÀÖÀ½¿¡¼­ ½ÃÀÛÇÏ¿©, ½ºÆ¼ºì Ȧ°ú ¾Èµµ ´Ù´Ù¿À, ÇÇÅÍ ÁÜÅÍ¿Í °°Àº °ÇÃà°¡¸¦ ´ë»óÀ¸·Î Çö»óÇÐÀÇ ¹è°æ°ú ¹ßÀü°úÁ¤, ±×¸®°í °ÇÃà¿¡ÀÇ Àû¿ëÀ» °íÂûÇÏ°í ÀÖ´Ù. À̸¦ À§ÇØ °ÇÃà°ú Çö»óÇÐÀÇ ¿¬°è °¡´É¼ºÀ» ÀçÈ®ÀÎÇÏ°í, ÃÖ±Ù¿¡ Áß¿äÇÏ°Ô ´Ù·ç¾îÁ® ¿Ô´ø ¸Þ¸¦·Î ÆþƼ¿Í ÇÏÀ̵¥°Å, ¹Ù½¶¶ó¸£¿Í Âû½º¹«¾î, ½¶Ã÷¿Í ÇÁ·¥Æ°°ú °°Àº À̵éÀ» ÀÌ·ÐÀûÀ¸·Î °íÂûÇÑÈÄ, °ÇÃà¿¡¼­ÀÇ Àû¿ëÀ̷аú µðÀÚÀÎ ¹æ¹ý·ÐÀ¸·Î¼­ÀÇ Çö»óÇÐÀÇ È°¿ë°¡´É¼ºÀ» ŸÁøÇÏ´Â ¹æ½ÄÀ¸·Î ³íÀǸ¦ ÁøÇà½ÃŲ´Ù. ¿¬±¸¸¦ ÅëÇØ °ÇÃàÀ» Çö»óÇÐÀûÀ¸·Î °íÂûÇÒ ¶§ 1)´ëÁö¿¡ ´ëÇÑ Çö»óÇÐÀû ºÐ¼®(Àå¼Ò¼º),2)±×·ÎºÎÅÍ À¯ÃßµÈ À̹ÌÁö¸¦ ÅëÇÑ °³³ä ¼³Á¤(Á¤¼­Àû À̹ÌÁö), 3)±×¿¡ µû¸¥ ±¸Ã¼ÀûÀÎ °ÇÃà°ø°£ÀÇ ±¸¼º(ÃàÁ¶¹ý; Áö¿ª¼º°ú µðÅ×ÀÏ¿¡ ´ëÇÑ °í·Á) °¡ ÇÊ¿äÇÔÀ» È®ÀÎÇÏ°í ÀÖ´Ù. ¿¬±¸ÀÚ´Â ÀÌ¿¡ ´õºÒ¾î Çö»óÇÐÀÌ ÇüÅ¿ø¸®°¡ ¾Æ´Ï¶ó ¼³°èÀÚÀÇ Åµµ³ª ¹æÇ⼺¿¡ °ü·ÃµÈ ¹®Á¦ÀÓÀ» ÀÎÁöÇÏ´Â °ÍÀÌ Áß¿äÇÔÀ» ÇÇ·ÂÇÏ°í ÀÖ´Ù.
¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
·½ ÄðÇϽº¿Í Ä«Áî¿ä ¼¼Áö¸¶ °ÇÃà¿¡¼­ ³ªÅ¸³ª´Â ÇÁ·Î±×·¥ÀÇ Á¶Á÷°ú °ø°£±¸¼º ¹æ¹ýÀÇ ºñ±³ºÐ¼®
±Ç°æ¹Î ; ±èÁ¾Áø - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.6(Åë±Ç 65È£) (200712)
[½Ã·Ð] 4Â÷ »ê¾÷Çõ¸í ½Ã´ë, °ÇÃàÀÇ ´ëÀÀ
À̸í½Ä(Lee, Myung-Sik) - °ÇÃà(´ëÇÑ°ÇÃàÇÐȸÁö) : Vol.61 No.05 (201705)
ÇÁ·Î±×·¥°ú ´ÙÀ̾î±×·¥ÀÇ Àû¿ëÀ» ÅëÇÑ °ÇÃà ÇüÅ »ý¼º ¿¬±¸
À±Çý°æ(Yoon Hae-Kyung) ; ±èÁÖ¿µ(Kim Ju-Young) ; È«¿øÈ­(Hong Won-Hwa) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.02 (201002)
°ÇÃࡤµµ½Ã°ø°£ÀÇ Çö´ëÀû °ø°ø¼º¿¡ °üÇÑ ±âÃÊ ¿¬±¸
¿°Ã¶È£ ; ½É°æ¹Ì ; Á¶Áعè - ¿¬±¸º¸°í¼­(±âº») : 2008 n.8 (200902)
[ƯÁý] ±¹³» ģȯ°æ °ÇÃ๰ »ç·Ê ºÐ¼®
Á¤Áö³ª ; ±è¿ë¼® ; À̽¹Π- ±×¸°ºôµù(Çѱ¹±×¸°ºôµùÇùÀÇȸÁö) : v.9 n.1 (200803)
¹Ì¼ú°ü Àü½Ã°ø°£¿¡ »ç¿ëµÇ´Â °ø°£À¯Çü
¹é¿ë¿î(Baek Young-Won) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.24 n.8 (200808)
SANAAÀÇ °ÇÃà¿¡¼­ ¡®ºÐÀ§±â¡¯ÀÇ °³³ä°ú ±¸Çö¹æ½Ä
¼­Á¤ÀÏ(Seo Jeong-Il) ; ÀÓ¸®»ç(Lim Lisa) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.10 (201010)
ÇÇÅÍ ÁÜÅÍÀÇ ÀÛÇ°¿¡ ³ªÅ¸³­ Àç·á¿Í ºûÀÇ °ø°£Àû ¿µÇâ¿¡ °üÇÑ ¿¬±¸
±èÀÚ¿µ - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.20 n.5(Åë±Ç 88È£) (201110)
ÆäÅÍ ÃãÅÍ °ÇÃà¿¡¼­ ³ªÅ¸³­ °ÇÃàÀÇ Á¸Àç¹æ½Ä¿¡ °üÇÑ ¿¬±¸
À̸íÀç - ´ëÇÑ°ÇÃàÇÐȸÁöȸ¿¬ÇÕȸ ³í¹®Áý : v.11 n.02 (Åë±Ç38È£) (200906)
¾Æ¸ð·¹ÆÛ½ÃÇÈ »ç¿Á ¼³°è»ç·Ê
ÃÖµµ¼® - ¼³ºñÀú³Î(´ëÇѼ³ºñ°øÇÐȸÁö) : Vol.47 No.12 (201812)
¡á Á¦ 1 ÀúÀÚÀÇ ´Ù¸¥ ¹®Çå ½Äº°ÀúÀÚ´õº¸±â
¸ðÆ÷½Ã½º ÀÛÇ°ÀÇ µðÀÚÀΠƯ¼º¿¡ ´ëÇÑ ¿¬±¸
±è½Åö ; ±è±¤¹è - ´ëÇÑ°ÇÃàÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : v.31 n.2(°èȹ°è) (201110)
¼­¿ï½Ã °øµ¿ÁÖÅà ½ÉÀDZâÁØ ¿î¿µ»ç·Ê¸¦ ÅëÇÑ ½ÇÈ¿¼º ºÐ¼®
±è±¤¹è(Kim Kwang-Bae) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.11 (201011)
¸¶¸®¿À º¸Å¸ÀÇ ÀÛÇ°¿¡ ³ªÅ¸³­ °ÇÃà¼ö¹ý¿¡ °üÇÑ ¿¬±¸
±è½Åö(Kim Sin-Chul) ; ±è±¤¹è(Kim Kwang-Bae) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.10 (201010)
Áö¿ªÀû Ư¼ºÀÌ Æ÷½ºÆ®¸ð´ø ÀÌÈÄ ¿¤?¿¡ÀÌ °ÇÃà¿¡ ³¢Ä£ ¿µÇâ¿¡ ´ëÇÑ ¿¬±¸
±è±¤¹è(Kim Kwang-Bae) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.25 n.12 (200912)
±Ù´ë »ê¾÷À¯»êÀ» ÀçÈ°¿ëÇÑ µµ½ÃÀç»ý¿¡ °üÇÑ ¿¬±¸
±î¿À½Å(Gao Xin) ; ±è±¤¹è - ´ëÇÑ°ÇÃàÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : (200910)
·½ ÄðÇϽº(Rem Koolhaas) °ÇÃàÀ» ÅëÇÑ Çö´ë °ÇÃà¿¡¼­ÀÇ Àå¼Ò¼º ±¸Çö¿¡ ´ëÇÑ ¿¬±¸ ¹× À̸¦ °í·ÁÇÑ Àç·¡½ÃÀå È°¼ºÈ­ °èȹ¾È
ÇÑÀçÈñ ; ±è±¤¹è - ´ëÇÑ°ÇÃàÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : (200910)
[ÇÁ·ÎÁ§Æ® ¸®Æ÷Æ®] ÅðÃÌ K ·¹½ºÅä¶û + ÁÖ°Å
±è±¤¹è - °ÇÃà(´ëÇÑ°ÇÃàÇÐȸÁö) : v.53 n.01 (200901)
Áö¼Ó°¡´ÉÇÑ µµ½Ã°ÇÃà ÀÌ·Ð, New UrbanismÀÇ °ø°£±¸Á¶ Ư¼ºÀ»Àû¿ëÇÑ ÁÖ°Å?ÈÞ¾ç º¹Çսü³ °èȹ¾È
Ȳ¼ÒÀ± ; ±è±¤¹è - ´ëÇÑ°ÇÃàÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : (200710)
·çÀ̽º ¹Ù¶ó°£ÀÇ °ÇÃ౸¼º ¿ä¼Ò¸¦ È°¿ëÇÑ ÁÖÅà °èȹ
È«¼®È£ ; ±è±¤¹è - ´ëÇÑ°ÇÃàÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : (200710)
[ƯÁý] ±Þº¯ÇÏ´Â ½Ã´ë¿¡ Çѱ¹ÀÇ °ÇÃàÀº ¹«½¼ Áغñ¸¦ ÇÏ°í ÀÖ³ª?
±è±¤¹è - °ÇÃà(´ëÇÑ°ÇÃàÇÐȸÁö) : v.51 n.7 (200707)