°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ|³í¹®Áý 2007³â 6¿ù

³í¹®¸í Çѱ¹ ±Ù´ëÀºÇà ½Ç³»°ø°£ÀÇ Ç¥Çö Ư¼º¿¡ °üÇÑ ¿¬±¸ / A Study of the Characteristics of the Interior Space Arrangements of the Modern Bank Buildings of Korea
ÀúÀÚ¸í ¿ÀÀοí
¹ßÇà»ç Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
¼ö·Ï»çÇ× Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý, v.16 n.3(Åë±Ç 62È£) (2007-06)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(10) ÃÑÆäÀÌÁö(11)
ISSN 12297992
ÁÖÁ¦ºÐ·ù °èȹ¹×¼³°è
ÁÖÁ¦¾î ±Ù´ë ½Ç³»°ÇÃà ; ±Ù´ëÀºÇà ; ½Ç³»µðÀÚÀΠǥÇö¼º ; ½Ç³»µðÀÚÀλç ; Modern interior architecture ; Modern Bank ; Interior design expression ; History of interior designs
¿ä¾à1 º» ¿¬±¸ÀÇ ¸ñÀûÀº Áö¿öÁ® °¡´Â ±Ù´ë ÀºÇà°ÇÃàÀÇ ½Ç³»µðÀÚÀÎ ÈçÀûÀ» ã¾Æ ´ç½ÃÀÇ ½Ç³» °ø°£±¸¼º°ú ±Ù´ë ½Ç³»µðÀÚÀΠƯ¼ºÀ» ÆľÇÇÏ¿© ±Ù´ë »ó¾÷ ½Ç³»°ÇÃàÀÇ »çÀûÀǹ̸¦ ¹ß°ßÇϴµ¥ ÀÖ´Ù.
¿ä¾à2 The materials on the development of modern architecture in Korea are being collected and organized in a systemic fashion. However, this is not the case with the materials relative to interior design. They are gradually disappearing or being lost. In particular, no serious attempt has yet been made to determine the characteristics and historic value of the interior design of the modern bank buildings. The purpose of this study is to trace the disappearing legacy of the interior design of modern bank buildings by learning the inner space arrangements of these buildings and the characteristics of modern interior design in order to determine the historic significance of modern commercial interior design. Banks of relatively large scale were selected for the purpose of this study. They consisted of: Chosun Bank(1911) and its Andong, Wonsan and Cheongjin branches; Chosun Shiksan Banks and its Busan, Daegu and Pyongyang branches; the Busan branch of the 18 Bank; Dongil Bank, Chosun Savings Bank(1935) and their branches. The study focused on the space arrangements and design characteristics of these banks. Although they aimed at modernization in designingtheir interior spaces, the modern bank buildings were not representative of any particular style of interior design. While western style designs were prevalent, eclectic designs incorporating many different styles existed. The characteristics of the interior design of banks of the time included installation of such decorations and use of high quality construction materials for interior and exterior expressing the wealth as to create an aura of credibility for the banks, while the floor arrangements were relatively stereotyped and simplified.
¼ÒÀåó Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
¾ð¾î Çѱ¹¾î
ºÐ¼®¼­Áö
°ÇÃ࿪»ç ¹× ÀÌ·Ð > Çѱ¹ ±Ù´ë °ÇÃà > »ó¾÷¡¤¾÷¹«°ÇÃà

º» ¿¬±¸´Â ±Ù´ë ÀºÇà°ÇÃàÀÇ ½Ç³» °ø°£À» ÅëÇØ °ø°£ ±¸¼º°ú ±Ù´ë ½Ç³»µðÀÚÀΠƯ¼ºÀ» ÆľÇÇÏ¿© ±Ù´ë »ó¾÷ ½Ç³»°ÇÃàÀÇ »çÀûÀǹ̸¦ ¹ß°ßÇÏ°íÀÚ ÇÑ´Ù. ¿¬±¸¸¦ ÅëÇØ Çѱ¹ÀÇ ±Ù´ë ÀºÇà½Ã¼³ÀÇ ÀϺ»ÀÇ ÀºÇà°ÇÃà°ø°£À» ±×´ë·Î À̽ÄÇÏ¿©, 1ÃþÀ§ÁÖÀÇ °ø°£À¸·Î °´Àå »óºÎ¸¦ °³¹æÇÏ¿© °ø°£°¨À» °¡Áú¼ö ÀÖ´Â ±¸Á¶¸¦ °¡Áö°í ÀÖÀ½À» º¸ÀÌ°í, ¹àÀº ºÐÀ§±â Á¶¼ºÀ» À§ÇØ °³±¸ºÎ¸¦ Å©°ÔµÎ¾î ÀÚ¿¬±¤ÀÇ À¯ÀÔÀ» ²ÒÇÏ°í ÀÖÀ½¿Ã È®ÀÎÇÏ°í ÀÖ´Ù. ¶ÇÇÑ µðÀÚÀο¡ ÀÖ¾î Ãѵ¶ºÎ³ª ÀºÇàÀÇ ¼³°èÁ¶Á÷¿¡ ÀÇÇÑ °ÍÀÌ ¸¹¾Æ Á¤ÇüÈ­µÈ ÆÐÅÏÀÌ ÀÖÀ½À» ¹àÈ÷°í, °ø°£ ±¸¼º¹æ½Ä¿¡ ÀÖ¾î ¿À´Ã³¯¿¡µµ ¿µÇâÀ» ³¢Ä¡°í ÀÖÀ½À» È®ÀÎÇÏ°í ÀÖ´Ù. ƯÈ÷ ÀºÇà º»Á¡ °Ç¹°¿¡¼­ »óÃþºÎ¿¡ È޽Ĺ®È­°ø°£À» µÎ´Â °ÍÀ¸·ÎºÎÅÍ ÀºÇà°ø°£ÀÌ ¹®È­È޽İø°£À¸·Î »ç¿ëµÉ ¼ö ÀÖÀ½À» ½Ã»çÇÏ°í ÀÖ´Ù. ¾Æ¿ï·¯ Æò¸é»ó¿¡¼­ÀÇ ±Ù´ë¼º¿¡µµ ºÒ±¸ÇÏ°í ¼­¾ç°íÀü ¾ç½ÄÀ¸·Î ¸¶°¨À» ÇÏ´Â ÀýÃæÁÖÀÇÀû °æÇâÀÌ °­ÇÏ°Ô µå·¯³ª´Â °ÍÀ¸·Î ºÎÅÍ ÀºÇà¿¡ ´ëÇÑ ½Å·Ú°¨°ú ±ÇÀ§ÀÇ Ç¥ÇöÀÌ °íÀü¾ç½ÄÀ¸·Î ¿¬°èµÇ´Â °úÁ¤¿¡ ´ëÇÑ È£±â½ÉÀ» °­ÇÏ°Ô È¯±â½ÃÅ°´Â °á°ú¸¦ µµÃâÇس»°í ÀÖ´Ù.
¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
±ÝÀ¶È¯°æ º¯È­¿¡ µû¸¥ ÀºÇàÀÇ ½Ç³»°ø°£ º¯È­¿¡ °üÇÑ ¿¬±¸
¼ÒÀºÅ¹ ; ¼Ûº´ÇÏ - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.18 n.6(Åë±Ç 77È£) (200912)
¿ì¸® ³ª¶ó ëÞú¼ËïõéÀÇ º¯Ãµ¿¡ °üÇÑ ÞÈîÜ ÍÅóÌ
¹Ú´ëÁØ ; ÁÖ³²Ã¶ - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.18 n.2 (200202)
[½Ã·Ð] 4Â÷ »ê¾÷Çõ¸í ½Ã´ë, °ÇÃàÀÇ ´ëÀÀ
À̸í½Ä(Lee, Myung-Sik) - °ÇÃà(´ëÇÑ°ÇÃàÇÐȸÁö) : Vol.61 No.05 (201705)
1930³â´ë ¸» ¼­¿ïÀÇ ¾ç°ü¿¡ ´ëÇÑ ¿¬±¸
ÇãÀ¯Áø(Huh, Yoo-Jin) ; ¿ìµ¿¼±(WooDon-Son) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.29 n.7 (201307)
ÀºÇà ¾÷¹«º¯È­¿¡ µû¸¥ °ø°£±¸¼º¿¡ °üÇÑ ¿¬±¸
º¯Á¤¾Æ ; ±è±âȯ - ´ëÇÑ°ÇÃàÇÐȸÁöȸ¿¬ÇÕȸ Çмú¹ßÇ¥´ëȸ³í¹®Áý : n.2007 v.01 (200712)
·½ ÄðÇϽº¿Í Ä«Áî¿ä ¼¼Áö¸¶ °ÇÃà¿¡¼­ ³ªÅ¸³ª´Â ÇÁ·Î±×·¥ÀÇ Á¶Á÷°ú °ø°£±¸¼º ¹æ¹ýÀÇ ºñ±³ºÐ¼®
±Ç°æ¹Î ; ±èÁ¾Áø - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.6(Åë±Ç 65È£) (200712)
±Ù´ë°ÇÃ๰ È°¿ëÀ» ÅëÇÑ Áö¿ªÈ°¼ºÈ­ ¹æ¾È ¿¬±¸
±Ç¿µ»ó ; ½É°æ¹Ì - ¿¬±¸º¸°í¼­(±âº») : 2009 n.5 (200912)
°ÇÃࡤµµ½Ã°ø°£ÀÇ Çö´ëÀû °ø°ø¼º¿¡ °üÇÑ ±âÃÊ ¿¬±¸
¿°Ã¶È£ ; ½É°æ¹Ì ; Á¶Áعè - ¿¬±¸º¸°í¼­(±âº») : 2008 n.8 (200902)
¼­¿ï½Ã ±Ù´ë ¾ç½Ä°ÇÃà ÆÄ»çµåÀÇ Ç¥Çö Ư¼º¿¡ °üÇÑ ¿¬±¸
ÀÌ¿Ï°Ç ; Á¤·ÊÈ­ - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.18 n.2(Åë±Ç 73È£) (200904)
³ªÄ«¹«¶ó ¿ä½ÃÇìÀÌÀÇ ¼­¾ç°ÇÃà¾ç½ÄÀÇ ¼ö¿ë°úÁ¤°ú ±× ÀǹÌ
±è¿µÀç(Kim, Young-Jae) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.29 n.5 (201305)