| 논문명 |
독일 모더니즘 여성 건축가 릴리 라이히의 디자인 특성에 관한 연구 / A Study on the design character of German modernist woman architect Lilly Reich / 1920-1931년 사이의 전시디자인 및 인테리어 디자인 활동을 중심으로 |
| 수록사항 |
한국실내디자인학회 논문집, v.15 n.1(통권 54호) (2006-02) |
| 주제어 |
전시디자인 ; 미스 반 데어 로에 ; 베르크분트 ; 기능주의 건축 ; Exhibition design ; Mies van der Rohe ; Werkbund ; Functionalist architecture |
| 요약1 |
본 연구는 존야 귄터의 분류작업과 재조명의 시도에 기초하여 아직 국내에는 소개되지 않았으며, 외국에서도 뒤늦게 연구되기 시작한 여성 건축가 릴리 라이히의 전시 디자인 작품들과 가구 및 실내 디자인 작품들을 분석함으로써, 그녀의 실내건축이념을 현대적인 맥락에서 규정하는 것에 목적을 두며, 더 나아가 20세기 초 독일의 한 여성 건축가가 모더니즘 시기의 건축 발전에 기여한 바를 새로이 발굴해내는 것에 의의를 두고 있다. |
| 요약2 |
As an exhibition designer, clothing and furniture designer, and woman architect in Germany during the 1920s and 1930s Lilly Reich was an important pioneer of modern design and one of the most respected practitioners. In spite of that she has been until recently known primarily for the work she produced in association with the architect Ludwig Mies van der Rohe, because his fame has overshadowed her own contribution. For the first time only after her own works have been presented by MoMA in 1996, her artistic world could begin to be illuminated.
This study discusses not only her collaboration with Mies van der Rohe, but also her own work as an individual artist. The aim of this study is concentrated on two aspects, which have been unexplored in the history of architecture and interior design. One of them is related to her effort, the essential elements and principles of the exhibition design disciplinarily to stand and through this the methodological basis of exhibition design to found. Another aspect is the contribution to the functionalist architecture by keeping in harmony the standardization and the individualism.
This study is purposed to re-actualize the interior-architectural ideas of Lilly Reich into the present context through the consideration on the collaborations with Mies van der Rohe and her own works and to illuminate her complementary efforts to the functionalist architecture. |
