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³í¹®¸í ÀÚÇÏ ÇϵðµåÀÇ Å»±¸Á¶ÁÖÀÇÀû Æä¹Ì´ÏÁò °ÇÃà¿¡ °üÇÑ ¿¬±¸ / A Study on the deconstructionist feminist architecture of Zaha Hadid
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ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(133) ÃÑÆäÀÌÁö(8)
ISSN 12297992
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ÁÖÁ¦¾î ¸ÅÆ®¸¯½º ; Å»±¸Á¶ÁÖÀÇ ; Æä¹Ì´ÏÁò ; ÄÚ¶ó ; ºÎÀ¯ÀÇ °ø°£ ; Matrix ; Post-structuralism ; Feminism ; Chora ; drifting space
¿ä¾à1 À̵¥¿Ã·Î±âÀû ±Ç·Â°ü°è¿Í À̳äÀû À§°èÁú¼­ÀÇ Áö¹è ÇÏ¿¡ ³õ¿©¿Ô´ø °ø°£°³³äÀ» ±Ùº»ÀûÀ¸·Î Àç°ËÅäÇϰíÀÚ ÇÏ´Â ÁÖµÈ ÀÌÀ¯´Â ÇÑÆíÀ¸·Î »õ·Î¿î °ø°£À̳äÀ» ±¸ÃàÇϱâ À§ÇÔÀÌÁö¸¸, ´Ù¸¥ ÇÑÆíÀ¸·Î´Â º»·¡ÀûÀÎ ÀǹÌÀÇ °ø°£°³³ä¿¡ ³»ÀçÇØ ÀÖ´ø ¡®¿©¼º¼º¡¯ÀÇ À̳äÀ» ÇöÀçÀûÀÎ Àǹ̷ΠȰ¼ºÈ­½Ã۰íÀÚ Çϱâ À§ÇÔÀÌ´Ù. µû¶ó¼­ º» ¿¬±¸ÀÚ´Â ¼­±¸ÀÇ ³²¼º(ȤÀº À̼º)Áß½ÉÀûÀÎ ÀüÅëÀ» »õ·ÎÀÌ ÇØ¼®ÇÔÀ¸·Î½á ¼º±¸º°À» ³Ñ¾î¼± Æä¹Ì´ÏÁòÀûÀÎ ³íÀÇÀÇ ±â¹ÝÀ» Á¦°øÇØÁØ ÈıⱸÁ¶ÁÖÀÇ »ç»óÀ» ¹æ¹ý·ÐÀûÀÎ µ¿½Ã¿¡ ³»¿ëÀûÀÎ ±Ù°£À¸·Î »ï°íÀÚÇÒ °ÍÀÌ´Ù.
ÈıⱸÁ¶ÁÖÀÇÀÇ ´ëÇ¥Àû À̷а¡ÀÎ µ¥¸®´Ù(J. Derrida)´Â ³²¼ºÁß½ÉÁÖÀÇÀûÀÎ ¼­±¸ ÀüÅë ÇüÀÌ»óÇÐÀÇ ¾Æ¹öÁöÀÎ ÇöóÅæ¿¡°Ô¼­ ¿©¼º¼ºÀÇ ¸ðÅ·μ­ °ø°£¼º À̳äÀÇ ±âÃʰ¡ µÇ´Â ¡®ÄÚ¶ó(chora)¡¯ °³³ä°ú ±× °³³äÀÇ °¡Ä¡ÀýÇÏ¿¡ ÁÖ¸ñÇϸ鼭, ¹°ÁúÀû ½ÇÀ缺ÀÌ À̳äÀÇ Çü½Äµé¿¡ ºñÇØ ¾î¶»°Ô Á¾¼ÓµÇ¾î¿Ô´Â°¡¸¦ ¼³¸íÇÏ¿´´Ù. µ¥¸®´ÙÀÇ ÀÌ °°Àº °ø°£¼º ÀÌÇØ¸¦ Áß½ÉÀ¸·Î ÇÏ¿© º» ¿¬±¸ÀÚ´Â ±×ÀÇ ¡®Å»±¸Á¶ÁÖÀÇ(Deconstructionism)¡¯ »ç»ó°ú À¯»çÇÑ ÁöÆò¿¡ ³õ¿© ÀÖ´Â ÀÚÇÏ Çϵðµå(Zaha Hadid)ÀÇ °ÇÃàÀ̳äÀ» ºÐ¼®Çϸ鼭 ÇÑÆíÀ¸·Î´Â ÀüÅëÀû °ø°£ °³³ä¿¡ ´ëÇÑ ¡®ÇØÃ¼±¸¼º¡¯À» ÅëÇØ »õ·Î¿î ÀǹÌÀÇ °ø°£°³³äÀ» Á¤¸³Çϰí, ´Ù¸¥ ÇÑÆíÀ¸·Î´Â °ø°£ °³³äÀÇ ¿©¼º¼ºÀ» ²ø¾î³»´Âµ¥ ¸ñÀûÀ» µÎ°í ÀÖ´Ù.
°á±¹ ¿©¼º¸¸À» À§ÇÑ °ø°£À¸·Î ÀÌÇØµÇ¾î¼­´Â ¾È µÇ´Â °ø°£ÀÇ ¿©¼º¼º °³³äÀÇ Ã߷аú ´õºÒ¾î º» ¿¬±¸ÀÚ°¡ ÁöÇâÇϰíÀÚ ÇÏ´Â °ÍÀº °ÇÃà ¿µ¿ª¿¡¼­ ³²¼º°ú ¿©¼ºÀ̶ó´Â ¼º±¸º° ÀÌÀü¿¡ º¸´Ù ±Ùº»ÀûÀ¸·Î ÀÌÇØµÇ¾î¾ß ÇÏ´Â ³íÀÇÀÇ ±â¹Ý¿¡ ´ëÇÑ Àç°ËÅäÀ̸ç, ÀÌ·¯ÇÑ ±â¹Ý¿¡ ´ëÇÑ ¿¬±¸°¡ ´Ù°¢µµ·Î È¿°úÀûÀ¸·Î ¼öÇàµÈ´Ù¸é, °ÇÃàÀû ÆÐ·¯´ÙÀÓÀÇ º¯È­´Â ¹°·Ð »õ·Î¿î °ÇÃà¹æÇâ¿¡ ´ëÇÑ ¸ð»öÀÌ ÀÌ·ç¾îÁú ¼ö ÀÖÀ» °ÍÀÌ´Ù.
¿ä¾à2 Jacques Derrida, a leading theorist of the post-structuralism, has explicated how the material reality is subordinated to the ideality of form, by noticing the platonic concept, ¡®chora¡¯, which implicates the spatiality as the matrix and also by actualizing its essential meaning as the femininity. On the basis of the idea of the platonic ¡®chora¡¯, the Derridian deconstructive spatiality and its feminist oriented enlargement of Grosz this study is purposed to elucidate the architectural idea of Zaha Hadid that is located in the similar horizon with the deconstructionism. On the one hand it is focused on the explication of the new concept of space, which is dealt with the deconstruction of the traditional concept of space, on the other on the inference of the feminity of the originally understood spatiality. With this inference it is finally intended to reexamine the foundation of the discussion for the architectural space that must be ahead of the discussion for the difference between the masculine and the feminine space. If it is fundamentally and manifoldly executed, not only the architectural paradigm will enter into an renewed phase, but also the various ways toward the new direction of the architecture be explored.
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