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19¼¼±â »õ·Î¿î Àå½Ä°üÀÇ Çü¼º¿¡ °üÇÑ ¿¬±¸ / G.ÁªÆÛÀÇ ÇǺ¹·ÐÀ» Áß½ÉÀ¸·Î |
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Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý, NO.16 (1998-09) |
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½ÃÀÛÆäÀÌÁö(168) ÃÑÆäÀÌÁö(7) |
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ÇǺ¹·Ð ; Bekleidungstheorie ; Àå½Ä ; Ornament |
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20¼¼±â ÃÊ °¡Àå Ȥµ¶ÇÑ °ÇÃà°¡ÀÌÀÚ ºñÆò°¡¿´´ø ¾Æµ¹ÇÁ ·ç½º(Adolf Loos, 1870-1933)´Â Àå½ÄÀº Á˾ÇÀ̶ó°í ¼±¾ðÇß´Ù. ±×·¯ÇÑ ¾Æµ¹ÇÁ ·ç½ºÀÇ ¼±¾ðÀÌÈÄ °ÇÃà°è¿¡¼ Àå½ÄÀº ±â´É°ú À¯¸®µÈ ºÎÂ÷ÀûÀÎ Á¸Àç·Î¼ ½ÇÁúÀûÀÎ °ÇÃ౸¼º¿¡ ¾Æ¹«·± µµ¿òÀ» ¸øÁÖ´Â ¹«ÀÍÇÑ °ÍÀ¸·Î °£ÁֵǾú´Ù. ±×¸®°í ÀÌ·¯ÇÑ ÀÔÀåÀº Ãʱ⠱¹Á¦ÁÖÀÇ °ÇÃàÀÌ °ßÁöÇÑ Áï¹°¼º°ú °æÁ¦Àû »ý»ê¼ºÀ̶ó´Â Ãø¸éÀÇ °Á¶¿Í ÇÔ²² ¹ÝÀå½ÄÁÖÀǰ¡ °ÇÃà°èÀÇ ÁÖ·ù·Î¼ ÀÚ¸®Àâ°Ô µÈ´Ù. ±×·¯³ª »ç½Ç ÀÌ·¯ÇÑ Àå½Ä°ú °ü·ÃµÈ Âù¹ÝÀÇ ³í¶õÀº ±×¸® °£´ÜÄ¡ ¾ÊÀº öÇÐÀû, ¹ÌÇÐÀû ÀüÅëÀ» °¡Áö°í ÀÖ´Ù. Àå½ÄÀº ¿¹¼ú»ç³ª ¹ÌÇлçÀû¹è°æÀ¸·Î º¼ ¶§ Àηù¹®È ÃÊâ±âºÎÅÍ Á¸ÀçÇØ ¿Ô´ø Ç׽üºÀ¸·Î ÀÎÇØ ±Ù´ë¿¡ ´ëÇÑ ¸ðµ¨·Î Á¦½ÃµÈ ´Ù¸¥ °³³äµéº¸´Ù ÈξÀ Ä£¼÷ÇÑ ¸éÀÌ ÀÖ¾ú´Ù. ±×¸®°í ±× ³»¿ë»óÀ¸·Î º¸¾Æµµ Àå½ÄÀº °íÀüÁÖÀÇ ¹ÌÇÐ, ÀÚ¿¬¹ÌÇÐ, ¾ç½Ä¹®Á¦, ³¶¸¸ÁÖÀÇ ¹ÌÇеî 19¼¼±â Áß¹ÝÀÌÈÄ ºÎÅÍ ÈĹÝÀ» °ü·ùÇÒ ¼ö ÀÖ´Â Áß¿äÇÑ ¹ÌÇÐÀû °³³äµéÀ» °¡Áö°í ÀÖ¾ú´Ù. ±×·¯¹Ç·Î 19¼¼±â¸»ºÎÅÍ 20¼¼±â ÃÊ¿¡ °ÉÃÄ º¹ÀâÇÏ°Ô ¾ôÇô ÁøÇàµÇ¾ú´ø ¿îµ¿µéÀÎ ¸®¾ó* ¸®Áò(Realism), ÀÚ¿¬ÁÖÀÇ(Naturalism), ÀλóÁÖÀÇ(Impressionism), ÈıâÀλóÁÖÀÇ(Post-Impressionism), ÇÁ¸®-¶óÆÄ¿¤¸®Æ®¿îµ¿(Pre-Raphaelites), »ó¡ÁÖÀÇ(Symbolism), Ç¥ÇöÁÖÀÇ(Expressionism), ¾Æ¸£´©º¸(Art Neuveau), Ã߻󿹼ú(Abstract Art)°ú °°Àº ¿îµ¿µé¿¡ ÀÖ¾î¼ Àå½ÄÀº Áß½ÉÀû °³³äÀÇ ¿ªÇÒÀ» Çϰí ÀÖ¾ú´ø °ÍÀÌ´Ù. ƯÈ÷ ¼¾ç¿¡¼ ¾Æ¸£´©º¸ °è¿ÀÇ °ÇÃàÀå½ÄÀÌ µîÀåÇÏ´ø ½Ã±â¿¡ °ÇÃà¿¡¼ÀÇ Àå½ÄÀ̶ó´Â °ÍÀº ´Ü¼øÈ÷ ½Ã°¢ÀûÀ¸·Î Áñ°Å¿òÀ» Á¦°øÇØÁִ ǥÇÇÀû Á¶ÀÛÀÇ ¼öÁØÀ» ³Ñ¾î ½É¿ÀÇÑ ¿¹¼ú»çÀû Àǹ̸¦ °®´Â Á¤½Å ¿îµ¿À̾ú´Ù. ÀÌ·¯ÇÑ ¸Æ¶ô¿¡¼ ¼¾ç °ÇÃà°è¿¡¼ º»°ÝÀûÀÎ Àå½Ä³íÀïÀÌ ÀÖ¾ú´ø 19¼¼±â Áß¿±, Àå½Ä¿¡ ´ëÇÑ »õ·Î¿î ½Ã°¢À» Á¦°øÇÑ ÁªÆÛÀÇ ÇǺ¹·ÐÀ» »ìÆìº½À¸·Î¼ Àå½ÄÀÇ ÀÇ¹Ì¿Í ³»¿ëÀ» ÆÄ¾ÇÇÏ´Â °ÍÀ» º» ¿¬±¸ÀÇ ¸ñÀûÀ¸·Î ÇÑ´Ù. |
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In the Western Civilization you can clearly see the change in the architectural system. In the 19th Century,many of architectural style resurrected in the appearance of style revival. And each of the Style's appropriateness and exactness were very complicatedly discussed. After the middle of 19th Century a series of morality movement which showed an expectation for a historical revival started to show declining atmosphere. To architects at the periods more universal formation seeking and new surpassing style pursuing logic has exacted which care from very different from the past. During this period a question were brought up about architecture ornamental rightness and appropriateness. As each of the architects had a saying about the ornament was recognized as important part of architect. On this bases this study's purpose is finding out whst is the meaning and content of G.Semper's "Bekleidungstheorie" |