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Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý, NO.16 (1998-09) |
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½ÃÀÛÆäÀÌÁö(91) ÃÑÆäÀÌÁö(8) |
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»õ·Î¿î ÀϵéÀÌ °æ¼ÖÇÏ°Ô Ãß°¡µÇ¾î ÇÁ·ÎÁ§Æ®´Â °úµµÇÏ°Ô ±æ¾îÁö°í ÇÁ·ÎÁ§Æ®°¡ ¿ÏÀüÇϱâ Àü¿¡ Á¾·áµÈ´Ù. µû¶ó¼ ÇÁ·ÎÁ§Æ®¿¡ °ü°èµÈ ¹®¼´Â ü°èÀûÀ¸·Î ÀúÀåµÇÁö ¸øÇϰí ÇÊ¿äÇÒ¶§ ã±â°¡ Èûµé°Ô µÈ´Ù. ÀÌ·¯ÇÑ ÀÌÀ¯µé·Î ÀÎÇØ ÀÌ ÇÁ·ÎÁ§Æ®·Î ºÎÅÍÀÇ ÇÇÀ̵å¹é(feedback)Àº ¸¸Á·½º·´Áö ¸øÇϰųª Á¸ÀçÇÏÁö ¾Ê´Â´Ù. ±×·¸´Ù¸é ÁøÁ¤ ½Ç³»µðÀÚÀο¡ ÀÖ¾î¼ º¹ÀâÇÏ°í ±î´Ù·Î¿î ÇÁ·ÎÁ§Æ® °ü¸®¿î¿µÀÇ ÀýÂ÷¿Í °úÁ¤À» ¿¬±¸Çϰí À̸¦ ½ÇÁ¦ Ȱ¿ëÇÑ´Ù´Â °ÍÀÌ ÇÊ¿äÇѰ¡? ÀÌ´Â µðÀÚÀÎ ÀÛ¾÷À» È¿°úÀûÀ¸·Î ¿î¿µÇϰí ÇÁ·ÎÁ§Æ®¸¦ °¡´ÉÇÏ°Ô ÇØ ÁÙ »Ó ¾Æ´Ï¶ó Àç¿øÀÇ ¼Ò¸ð¿Í ºñ¿ëÀ» ÃÖ¼ÒÈ ÇÏ°í ½Ã°£³»¿¡ ÇÁ·ÎÁ§Æ®¸¦ ³¡³¾ ¼ö ÀÖµµ·Ï µµ¿ÍÁØ´Ù. µû¶ó¼ º»¿¬±¸¿¡¼´Â ½Ç³»µðÀÚÀ̳ʵéÀÌ ½ÇÁ¦·Î ¾î¶°ÇÑ ÇÁ·ÎÁ§Æ® ¿¡ Á÷¸éÇßÀ» ¶§ Áï°¢ÀûÀ¸·Î ´ëóÇÒ ¼ö ÀÖ´Â ½ÇÁ¦ÀûÀÎ ÇÁ·ÎÁ§Æ® °ü¸® ¿î¿µÀÇ ÀýÂ÷¿Í °úÁ¤À» ÀçÁ¤¸®ÇÏ¿© Á¦½ÃÇØ º¸°íÀÚ ÇÑ´Ù. |
¿ä¾à2 |
We have been taught designing process throughout the long period of education. Nevertheless, it is hard to make a quick response to actual project However, if we are faced with the actual project as a design professionals, it is hard to cope with the project at once nothing but ambiguous idea. Also, most of designers concemed with the project do not recognize who are responsible for what. Consequently this attitude delays the entire operation, causing waste of time and resources and leads to the unacceptable result. This research is designed, therefore, to come up with the projects control process that is practical enough to encourage interior designers as well as design firms to face actual projects with shrewd response. There is, of course, no single right answer to certain design projects. But at least, there should be a guideline which shows designers more reasonale, systematic ways to control design project lest they should waste time and cost : a guideline as an assistance for successful design result. |