°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ|³í¹®Áý 1998³â 9¿ù

³í¹®¸í ÆÐ¼Ç¸ÅÀå¿¡ ³ªÅ¸³­ ¹Ì´Ï¸Ö¸®ÁòÀÇ ½Ç³»°ø°£±¸¼º¿¡ °üÇÑ ¿¬±¸
ÀúÀÚ¸í °­¼Ò¿¬ ; ±èÇü¿ì
¹ßÇà»ç Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
¼ö·Ï»çÇ× Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý, NO.16 (1998-09)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(68) ÃÑÆäÀÌÁö(7)
ISSN 12297992
ÁÖÁ¦ºÐ·ù °èȹ¹×¼³°è
ÁÖÁ¦¾î ¹Ì´Ï¸Ö¸®Áò ; ÆÐ¼Ç¸ÅÀå ; ½Ç³»°ø°£±¸¼º
¿ä¾à1 º» ¿¬±¸¿¡¼­´Â ÆÐ¼ÇÀÇ È帧 ¼Ó¿¡¼­ ÆÐ¼Ç¸ÅÀå°ú ¹Ì´Ï¸Ö¸®ÁòÀÇ Æ¯¼ºÀÌ ÆÐ¼Ç¸ÅÀåÀÇ °ø°£±¸¼º¿¡ ¾î¶² ¿¬°è¼ºÀÌ ÀÖ´ÂÁö ÆÄ¾ÇÇϰí ÀÌ·ÐÀû °íÂû°ú »ç·ÊºÐ¼®À» º´ÇàÇÏ¿© À̸¦ °æÇèÇÏ´Â °üÂûÀÚÀÇ Áö°¢À» ÅëÇØ ¿¬±¸, ºÐ¼® ÇϰíÀÚ ÇÑ´Ù. ÀÌ¿¡ »óÈ£ °ü·ÃµÈ ¿©·¯ °¡Áö Ư¼ºÀ» ?ºÐ¼®Çϰí È¥µ·À» °Þ°í ÀÖ´Â ¿À´Ã³¯ÀÇ »óȲ ¼Ó¿¡¼­ µðÀÚÀÎÀÇ Àϰü¼º ÀÖ´Â ¹æÇâÀ» Á¦½ÃÇϴµ¥ ±× ¸ñÀûÀÌ ÀÖ´Ù.
¿ä¾à2 Modern fashion shop is changed by the changing of fashion style. And as purch asing pattern is changed to consuming pattern which has strong individuality, functions as space which reflet characteristics of products and consumers in order to present sensitive and in dividual image are also required, besides conventional concept as space which simply focused on sale. Meanwhile, in the 1980's, the fashion presented retro mood modernly by popularization of post-modernism and introduced minimalism that is one of the anti-cultures in the 1960's. Recently minimalistic trends which are expressed by various attempts and a new point of view are introduced to the fashion shop by interior designer. Therefore, in this study, minimalistic characteristics which appear in the composition of interior space of the modern fashion shop are researched by theoretical consideration and analysis of examples and consistent direction of fashion shop is presented.
¼ÒÀåó Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
¾ð¾î Çѱ¹¾î
¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
½Ç³»µðÀÚÀΠǥÇö¹æ¹ýÀÇ À¯ÇüÈ­°¡ Àû¿ëµÈ ÆÐ¼Ç ºê·£µå Ç÷¡±×½± ½ºÅä¾î(Flagship store)¿¡ °üÇÑ ¿¬±¸
°­¼Ò¿¬ - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.17 n.6(Åë±Ç 71È£) (200812)
Çö´ë »ó¾÷°ø°£ ½Ç³»¿¡ ³ªÅ¸³­ ¹Ì´Ï¸ÖµðÀÚÀÎÀÇ Æ¯¼º¿¡ °üÇÑ ¿¬±¸
½Åº´Ã¶ ; ±è¹®´ö - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : Á¦ 8±Ç 1È£ (200605)
±Ù/Çö´ë¿¡¼­ ³ªÅ¸³ª´Â `¼­ÇÁ¶óÀÌÁî ¹Ú½º` °ÇÃà Àü·«¿¡ °üÇÑ ¿¬±¸
³²¼ºÅÃ(Nam Sung-Taeg) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.27 n.8 (201108)
´Ù±â´ÉÈ­¿¡ ÀÇÇÑ °ø°øµµ¼­°üÀÇ °ø°£±¸Á¶¿¡ °üÇÑ ¿¬±¸
Ȳ¹Ì¿µ - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.18 n.4(Åë±Ç 75È£) (200908)
ÇÇÅÍ ¸¶¸®³ëÀÇ ÆÐ¼Ç ºê·£µå½ºÅä¾î °ø°£ µðÀÚÀΠǥÇöƯ¼º¿¡ °üÇÑ ¿¬±¸
½ÉÀºÁÖ - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.2(Åë±Ç 61È£) (200704)
ÆÐ¼Ç ¸®Å×ÀÏ ¼¥ÀÇ ½Ç³»µðÀÚÀÎ øúúÞÌËú¾¿¡ °üÇÑ ¿¬±¸
°­¼Ò¿¬(Kang So-Yeun) ; ±èÇü¿ì(Kim Hyung-Woo) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.22 n.3 (200603)
ÄÝÇϽº¿Í ·¹¿À´ÏµµÇÁ °ÇÃàÀÇ ¿¬°ü¼º¿¡ ´ëÇÑ ¿¬±¸
Àå¿ë¼ø(Chang, Yong-Soon) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : Vol.35 No.04 (201904)
À¯ÈÞ»ê¾÷½Ã¼³À» Ȱ¿ëÇÑ º¹ÇÕ¹®È­°ø°£ÀÇ °ø°£Àû Ư¼º¿¡ °üÇÑ ¿¬±¸
¹Ú¼ö¸°(Soolin Park) ; ÀÌÁ¤±³(Jungkyo Lee) - Çѱ¹°ø°£µðÀÚÀÎÇÐȸ ³í¹®Áý : Vol.13 No.06 (201812)
Çö´ë°ÇÃà¿¡¼­ ³ªÅ¸³ª´Â Ç¥¸éÀÇ ÀÎÅÍÆäÀ̽ºÀû Ư¼º¿¡ °üÇÑ ¿¬±¸
±ÇÇö¾Æ(Kwon Hyun-Ah) ; ½Åº´À±(Shin Byang-Youn) ; ½É¿ì°©(Shim Woo-Gab) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.03 (201003)
°ÇÃà°ú ÆÐ¼Ç, ½Ç³»µðÀÚÀÎÀÇ ½ºÅ²µðÀÚÀΠǥÇöƯ¼º¿¡ °üÇÑ ¿¬±¸
±è±â¼ö - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.18 n.4(Åë±Ç 75È£) (200908)