| 논문명 |
아르누보의 장식화 공간에 관한 연구 / A Study on Ornamental Space in Art Nouveau Style |
| 수록사항 |
한국실내디자인학회 논문집, v.14 n.1(통권 48호) (2005-02) |
| 주제어 |
아르누보 ; 장식 ; 장식화 ; 치장 ; 자연 ; 유용성 ; 감성 |
| 요약1 |
본 연구에서는 그동안 모더니즘의 경제적, 기술적 관점에 의해 표피적이고 부가적인 것으로 인식되던 ‘장식’에 대한 재해석과 함께 부분적 요소로서의 장식이 전체인 장식화 공간으로 구성되는 방식과 구성요소간의 상관성을 살핌으로써 아르누보 장식화 공간의 의미와 한계, 디자인 방법론의 파악을 연구의 목적으로 하였다. |
| 요약2 |
This study aims to understand the ornamental space in Art-Nouveau style which was made up the ornamental aspect and spatial aspect. So that It is needed to classify the ornamental space into three categories according to the way of construction; pictorial composition, non-objective composition and organic construction. To find the meaning of these ornamental spaces, works of Art-Nouveau are analyzed into ornament and space, in result we know that process of integration, relativity of ornament as a part and forms of expression in ornamental space have some regulation; use of natural motive, repetition of image and organic combination.
Whereas the ornamental space in Art-Nouveau style has comprehensive capacity between antagonistic relations just like tradition and new mechanism, the space could receive a lot of different ideas and express these ideas as ornaments. Although the ornamental space also had weak points which were the lack of transformation and the difficulties of the application of other design due to the perfection itself, we could create new space which meets the requirements of the times, if we develop and make up for the weak points in the ornamental space under the principles of dialectic. |
