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³í¹®¸í Ç츣Á¶±×¿Í µå ¸þ·Ð(Herzog & de Meuron)ÀÇ °ÇÃà¾ð¾î¿¡ °üÇÑ ¿¬±¸ / A study on the Herzog & de Meuron's Architectural Language
ÀúÀÚ¸í ½ÅÁ¤È­ ; ±è¹®´ö½Äº°ÀúÀÚ
¹ßÇà»ç Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
¼ö·Ï»çÇ× Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý, v.13 n.3(Åë±Ç 44È£) (2004-06)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(61) ÃÑÆäÀÌÁö(8)
ISSN 12297992
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ÁÖÁ¦¾î Ç츣Á¶±× µå ¸þ·Ð ; Çö´ë Á¶Çü¿¹¼ú ; ´Ù¾çÇÑ Ç¥Çö¼º
¿ä¾à1 Çö´ë°ÇÃàÀÇ È帧À» »ìÆìº¸¸é, 90³â´ë ÀÌÈÄ °ÇÃàÀº Àΰ£¿¡°Ô ½Ã°¢Àû, ½É¸®Àû, ½ÅüÀûÀ¸·Î ´Ù¾çÇÑ Ã¼Çè°ú °¨µ¿À» ÁÙ ¼ö ÀÖ´Â »ýµ¿°¨ ÀÖ´Â °ÇÃà¾ð¾îÀÇ Ãß±¸°¡ ³ªÅ¸³ª°í ÀÖ´Ù. ÀÌ·± °æÇâÀº ƯÈ÷ ½ºÀ§½º ¹ÙÁ©À» Áß½ÉÀ¸·Î °ÇÃàÀ» Àü°³Çϰí ÀÖ´Â ¼¼°èÀûÀÎ °ÇÃà°¡ÆÀÀÎ Ç츣Á¶±×¿Í µå ¸þ·Ð(Herzog & de Meuron)ÀÇ ÀÛǰ¿¡µµ ³ªÅ¸³ª°í ÀÖ´Ù. ±×µéÀÇ °ÇÃàÀº Çö´ë Á¶Çü¿¹¼úÀÇ ¿µÇâÀ» ±â¹ÝÀ¸·Î Çϸ鼭 ±â¼ú°ú Àç·á¿¡ ÀÇÇÑ ´Ù¾çÇÑ Ç¥ÇöÀ» ÅëÇÏ¿© °ÇÃà¾ð¾îÀÇ »õ·Î¿î ¿µ¿ªÀ» °³Ã´Çϰí ÀÖ´Ù.
±×µéÀÇ °ÇÃàÀº 80³â´ë¿¡´Â ¹Ì´Ï¸Ö¸®ÁòÀÇ ¿µÇâÀ» ¹Þ¾ÒÀ¸³ª, 90³â´ë ÈĹݺÎÅÍ´Â °ÇÃà°ú ¿¹¼úÀÇ »óÈ£°ü°è¿¡ ´ëÇÑ ¿¬±¸¸¦ ÅëÇÏ¿© Çö´ë Á¶Çü¿¹¼úÀÇ Æ¯¼ºÀ» °ÇÃà°ú Á¢¸ñ½ÃŲ °ÇÃà¾ð¾î¸¦ âÁ¶ÇÏ¿© µ¶ÀÚÀûÀÎ µðÀÚÀÎÀ» Àü°³Çϰí ÀÖ´Ù. º» ¿¬±¸´Â ±×µéÀÇ µ¶Ã¢ÀûÀÎ °ÇÃà¾ð¾î¸¦ ºÐ¼®Çϱâ À§ÇÏ¿© ½ºÀ§½º Çö´ë°ÇÃàÀ̶ó´Â Áö¿ªÀû ¹è°æ°ú ÇÔ²² 80³â´ë¿¡¼­ ÇöÀç¿¡±îÁö À̸£´Â ½Ã´ëÀû È帧¿¡ µû¸¥ °ÇÃà¾ð¾îÀÇ º¯È­µµ ºÐ¼®ÇϰíÀÚ ÇÑ´Ù. º» ¿¬±¸ÀÇ ÇÙ½ÉÀÎ °ÇÃà¾ð¾îÀÇ ºÐ¼®Àº ±×µéÀÇ °ÇÃàÀ» Àç·á, ÆÐÅÏ, ÇüŶó´Â °ÇÃàÀû Ư¡À» º¸¿©ÁÙ ¼ö ÀÖ´Â ¿ä¼Òµé·Î ±×µéÀÇ ¾ð¾î¸¦ ºÐ¼®ÇϰíÀÚ ÇÑ´Ù. ¶ÇÇÑ ºÎ¼öÀûÀ¸·Î µðÀÚÀÎÀû »ç°í¿Í Ç¥Çö¿¡ ¿µÇâÀ» ÁØ ¿¹¼ú°¡µéÀÇ ÀÛǰµµ ºÎ°¡, ºñ±³ÇÏ¿© Ç츣Á¶±×¿Í µå ¸þ·ÐÀÇ °ÇÃàÀ» Â÷º°È­½ÃŰ´Â °ÇÃà¾ð¾î°¡ ¹«¾ùÀÎÁö ºÐ¼®ÇϰíÀÚ ÇÑ´Ù. º» ¿¬±¸´Â ±×µéÀÇ ½ÇÇèÀû °ÇÃà¾ð¾î¸¦ Àû¿ëÇÑ ÀÛǰÀÇ »ç·ÊµéÀÇ ºÐ¼®À» ÅëÇÏ¿© Çö´ë°ÇÃàÀÇ È帧°ú °æÇâÀ» ÀÌÇØÇϰíÀÚ ÇÏ´Â °ÍÀ» ¿¬±¸¸ñÀû°ú ÀÇÀÇ·Î »ï°íÀÚ ÇÑ´Ù.
¿ä¾à2 Contemporary Architecture stands on the basis of the influence of the formative arts , and it carves out a new field of architecture through various technical or material expressions.
Herzog & de Meuron, whose has been recognized internationally, are one of few artists following this Contemporary architectural flow. This thesis analyzed his work of art by the trend of times, and base on the results, tried to find his architectural language.
Three points have been concluded through this architectural thesis. The architectural language does not deal with our monotonous environment, but deals with it technically. It's expressed all the architectural factors that we already know and used through new ways, so that, finally, it makes people feel the work of art in different point of views.
I desire more future researches will focus on the many types of architectural and interior design languages that the Contemporary society craves.
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