°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ|³í¹®Áý 2002³â 10¿ù

³í¹®¸í È£ÅÚ³»ºÎ°ø°£±¸¼º¿¡ À־ Ç¥ÇöÁÖÀÇÀû Ư¼º¿¡ °üÇÑ ¿¬±¸ / A Study on the Expressionistic Feature in Designing the Interior Space of a Hotel
ÀúÀÚ¸í ±èÁ¤¾Æ
¹ßÇà»ç Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
¼ö·Ï»çÇ× Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý, NO.34 (2002-10)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(45) ÃÑÆäÀÌÁö(8)
ISSN 12297992
ÁÖÁ¦ºÐ·ù °èȹ¹×¼³°è
ÁÖÁ¦¾î È£ÅÚ ³»ºÎ°ø°£ ; Ç¥ÇöÁÖÀÇ ; µðÀÚÀÎ
¿ä¾à1 ±Ùº»ÀûÀ¸·Î È£ÅÚÀº ÀÏ»óÀû °ÅÁÖÀÇ ¿¬¼ÓÀ¸·Î ÇϷ縦 Áö³»±â À§ÇÑ ±â´É »Ó ¾Æ´Ï¶ó, »õ·Î¿î üÇèÀ» À§ÇØ ½º½º·Î ÇϳªÀÇ ¸ñÀûÀÌ µÇ¾î¾ß ÇÑ´Ù´Â °ÍÀÌ »õ·Î¿î È£ÅÚ µðÀÚÀÎÀÇ Áß¿äÇÑ Âø¾ÈÁ¡ÀÌ´Ù. ÈÞ°¡µç »ç¾÷À» À§ÇÑ ¿©ÇàÀÌµç ¿©ÇàÀÌ ÁÖ´Â ±â´ë´Â ÀüÇô ±×Àü¿¡ °Þ¾îº¸Áö ¸øÇÑ »õ·Î¿î ¼¼°è¸¦ °æÇèÇØ º¸´Â °ÍÀÌ´Ù. È£ÅÚÀÌ ÀÌ·± ¿©ÇàÀÇ ½Ã¹ßÁ¡ÀÌ°í µÕÁö·Î¼­ÀÇ ¿ªÇÒÀ» ÇÏ°Ô µÇ´Â °ÍÀº ÀÚ¿¬½º·± ÀÏÀÌ´Ù. »ó´ëÀûÀ¸·Î È£ÅÚ À̿밴µéÀº ªÀº ½Ã°£ È£ÅÚ¿¡ ´ëÇØ °æÇèÇÏ°Ô µÇ°í ÀÌ·± ½Ã°£Àû Á¦¾àÀº Á»´õ ´Ü¼øÇÑ ¹æ¹ýÀ¸·Î »õ·Î¿òÀ» üÇèÇÏ°Ô Çϵµ·Ï ÇÑ´Ù. ÀÌ·± ÀüÇô °æÇèÇØº¸Áö ¸øÇÑ »õ·Î¿î ¼¼°è´Â ´ëºÎºÐ °¨°¢ÀûÀÎ ¹æ¹ýÀ¸·Î Ç¥ÇöµÈ´Ù.ÀÌ·± ÀÌÀ¯¿¡¼­ ÀÌ¿ëÀÚ¿¡°Ô ½É¸®ÀûÀÎ Àڱذú ¿À·§µ¿¾È ±â¾ï¿¡ ³²±â±â¿Í µ¶Ã¢ÀûÀÎ À̹ÌÁöÀÇ ±¸Çö µîÀº °á±¹ Ç¥ÇöÁÖÀÇÀûÀÎ ¼ºÇâÀ» ¶ç°Ô µÈ´Ù.
¿ä¾à2 It is noted that the expressionistic feature appears as one of characteristic phenomena for representing the regional culture and economic level. In architecture, it seems to be difficult to define the expressionism in a concrete way because of lots of meanings the word originally has. In this study, the expressionistic feature is defined as a mode which impresses the users emotionally with strength or as a touching and stimulating one, contrary to the designing conception which pursues only the rationality and the functionality. These features can be expressed as designing methods such as organic form, adoption of natural design factor, decisive opening of space or its extreme closing, contrast of mutually opposite components, or application of basic design components.These methods described above are largely categorized into spatial form, openness, scale and design component and also are studied for each example within the scope of these categories. This study has significance in conceptualizing this expressionistic tendency and in analyzing some detailed aspects for expression.
¼ÒÀåó Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
¾ð¾î Çѱ¹¾î
¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
»õ·Î¿î ÆÐ·¯´ÙÀÓ¿¡ µû¸¥ È£ÅÚµðÀÚÀÎÀÇ Ç¥Çö¾ç»ó¿¡ °üÇÑ ¿¬±¸
±èÁ¤¾Æ ; ±è¾ï - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.1(Åë±Ç 60È£) (200702)
±¹³» È£ÅÚ °´½Ç¿¡ ³ªÅ¸³­ µðÀÚÀΠǥÇöƯ¼º¿¡ °üÇÑ ¿¬±¸
ÀÌÇöÁÖ ; ±è¹®´ö - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : Á¦ 9±Ç 1È£ (200705)
·½ ÄðÇϽº¿Í Ä«Áî¿ä ¼¼Áö¸¶ °ÇÃà¿¡¼­ ³ªÅ¸³ª´Â ÇÁ·Î±×·¥ÀÇ Á¶Á÷°ú °ø°£±¸¼º ¹æ¹ýÀÇ ºñ±³ºÐ¼®
±Ç°æ¹Î ; ±èÁ¾Áø - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.6(Åë±Ç 65È£) (200712)
ÇÁ·Î±×·¥°ú ´ÙÀ̾î±×·¥ÀÇ Àû¿ëÀ» ÅëÇÑ °ÇÃà ÇüÅ »ý¼º ¿¬±¸
À±Çý°æ(Yoon Hae-Kyung) ; ±èÁÖ¿µ(Kim Ju-Young) ; È«¿øÈ­(Hong Won-Hwa) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.02 (201002)
¸®Á¶Æ® È£ÅÚÀÇ °ÇÃà°èȹ¿¡ °üÇÑ ¿¬±¸
±è¿ëºó ; °í°æ°î ; ±Çâ·æ ; ÀÌ¿ëÈ£ ; ÀÓ¸¸Åà - ´ëÇѰÇÃàÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : (200610)
Çö´ë È£ÅÚÀÇ µðÀÚÀÎ Á¢±Ù¹æ¹ý¿¡ °üÇÑ ¿¬±¸
±èÈ£Á¤ ; ÀÌÁ¤¿í - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : Á¦5ȸ (200305)
±¹³» ºñÁî´Ï½ºÈ£ÅÚ °´½Ç °¡±¸ÀÇ µðÀÚÀΠƯ¼º¿¡
½Å¼®È£ - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : NO.37 (200304)
Äí¸¶Ä˰íÀÇ ¿ªµ¿Àû ºñÆò¼ºÀ¸·Î¼­ÀÇ °ÇÃàÀû »ç°í±¸Á¶¿Í Ç¥Çö Ư¼º¿¡ °üÇÑ ¿¬±¸
±èÀ±Á¤ ; ¹ÚÂùÀÏ - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.22 n.5(Åë±Ç 100È£) (201310)
¿µ±¹ÀÇ °ø°øµµ¼­°ü Á¤Ã¥°ú °ø°£°èȹ ÁöÇâÁ¡ ºÐ¼®¿¡ ÀÇÇÑ °ø°£ µðÀÚÀÎ ¹æ¹ý¿¡ °üÇÑ ¿¬±¸
ÀüÇʱÔ(Jeon, Phil-Gue) ; ¹ÚÂùÀÏ(Park, Chan-Il) - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : Vol.28 No.5(Åë±Ç 136È£) (201910)
°ø°£¸¶ÄÉÆÃÀÇ °üÁ¡¿¡¼­ º» µµ½ÃÈ£ÅÚ¿¡ °üÇÑ¿¬±¸
Â÷Àç°æ ; ÀÓ¿µÈ¯ - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.21 n.3(Åë±Ç 92È£) (201206)