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³í¹®¸í Çѱ¹ÀüÅë¹®¾ç¿¡ ´ëÇÑ Çö´ëÀÎÀÇ ÀǹÌÇØ¼®°ú ŵµ / The Modern Meanings and Attitudes of the Traditional Motives in Upper -Class Houses of Chosun Dynasty / Á¶¼±½Ã´ë »ó·ùÁÖÅÿ¡ ³ªÅ¸³­ ¹®¾çÀ» Áß½ÉÀ¸·Î
ÀúÀÚ¸í ¹Ú¿µ¼ø ; ±è¹Ì°æ½Äº°ÀúÀÚ ; ±è¼öÁø ; È£¼öÁø ; ÃÖ¼±¹Ì
¹ßÇà»ç Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
¼ö·Ï»çÇ× Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý, NO.29 (2001-12)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(43) ÃÑÆäÀÌÁö(8)
ISSN 12297992
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ÁÖÁ¦¾î ÀüÅë¹®¾ç ; ¸ðƼºê ; ¹®¾çÀÇ ÀǹÌÇØ¼®
¿ä¾à1 ÀüÅë¹®¾ç¿¡ ´ëÇÑ ¼±Ç࿬±¸¸¦ »ìÆìº¸¸é, ÀǽÄÁÖ¿¡ °ü·ÃµÈ »ýȰ Àü¹ÝÀ» ´Ù·é °ÍÀÌ ´ëºÎºÐÀ¸·Î ÀÇÀåÀû Ãø¸é¸¸À» ÆÄ¾ÇÇϰí ÀÖ´Ù. ¶ÇÇÑ ±× Á¾·ù¸¦ ´Ù·ç °í ÀÖ´Â ¹®ÇåÀº ¸Å¿ì ¸¹À¸³ª ÀüÅëÁÖÅÃÀÇ °ø°£ ¹× ¿ëµµ¿¡ µû¶ó »ç¿ëµÈ »ó¡¼º À» Áß½ÉÀ¸·Î ÇÑ Àǹ̷ÐÀûÀ¸·Î ¹®¾çÀ» ´Ù·é ¿¬±¸´Â °ÅÀÇ ¾ø´Ù. µû¶ó¼­ ÇöÀç ¸¹Àº ¿¬±¸¿¡¼­ Á¦½ÃÇϰí ÀÖ´Â ÀüÅë ¹®¾ç¿¡ ´ëÇÑ ´Ù¾çÇÑ ºÐ·ùµéÀ» ü°èÈ­ÇÏ¿© ÀüÅëÁÖÅÃÀ̳ª ½Ç³», °¡±¸ µðÀÚÀÎ µî¿¡¼­ Çö´ëÀûÀÎ À̹ÌÁö·Î ÀçÇöÇÏ°í ±× Àǹ̸¦ °è½ÂÇÒ ¼ö ÀÖ´Â ÀûÇÕÇÑ ºÐ·ùÀÇ Ã¼°èÈ­¿Í Çö´ë¿¡ ¸Â´Â ¹®¾çÀÇ µðÀÚÀÎ °ú Àû¿ë¿¡ ´ëÇÑ ¿¬±¸´Â ¸Å¿ì ÇÊ¿äÇÏ´Ù. À̸¦ À§ÇØ Çö´ëÀεéÀÌ ÀüÅëÁÖÅÿ¡ »ç¿ëµÈ ¹®¾ç¿¡ ´ëÇÑ ÀǹÌÇØ¼®°ú ŵµ µîÀ» ÆÄ¾ÇÇØ º¸´Â °ÍÀº ¹Ì·¡ÀÇ µðÀÚÀÎ ¿¡ Çѱ¹ÀÎÀÇ ÀÚ¾ÆÁ¤Ã¼¼ºÀ» Ç¥ÇöÇϰí, ¾Æ¿ï·¯ Çѱ¹ÀÇ ÀüÅ뼺À» Ç¥ÇöÇØ ³¾ ¼ö ÀÖ´Â ¸Å¿ì È¿°úÀûÀÎ µðÀÚÀÎ ¹æ¹ýÀÌ µÉ °ÍÀÌ´Ù.
ÀÌ·¯ÇÑ ¹®Á¦Á¡ÀÇ ÀνĿ¡¼­ Ãâ¹ßÇÏ¿© º» ¿¬±¸¿¡¼­´Â ÀüÅ뼺À» Çö´ëÈ­½ÃŰ´Â ¹æ¹ýÀÇ Çϳª·Î¼­, ¼±Ç࿬±¸¿¡¼­ ³ªÅ¸³­ Çѱ¹ÀüÅëÁÖÅÿ¡ »ç¿ëµÈ ¹®¾çÀÇ Æ¯¼º °ú ±× ÀüÅëÀû Àǹ̸¦ ±âÁØÀ¸·Î ÇÏ¿© ±× Àǹ̰¡ Çö´ëÀε鿡°Ô Áö¼ÓÀûÀ¸·Î °è½ÂµÇ°í ÀÖ´ÂÁö ȤÀº »õ·Î¿î Àǹ̷ΠÀçÇØ¼®µÇ°í ÀÖ´ÂÁö¿¡ ´ëÇÑ Á¶»ç ¹× ÇØ¼®À» ÅëÇØ ±Ã±ØÀûÀ¸·Î Çѱ¹ÀüÅë¹®¾çÀÇ Æ¯¼º°ú Àǹ̸¦ °è½Â, ¹ßÀü½ÃÄÑ ³ª¾Æ°¥ ¼ö ÀÖ´Â ±âÃÊÀڷḦ Á¦¾ÈÇϰíÀÚ ÇÑ´Ù. µû¶ó¼­ º» ¿¬±¸´Â Çѱ¹ ÀüÅë ÁÖÅÿ¡ »ç¿ëµÈ ¹®¾ç¿¡ ´ëÇÑ Çö´ëÀεéÀÇ ÀǹÌÇØ¼®°ú ÀüÅë¹®¾ç¿¡ ´ëÇÑ Åµµ¸¦ ÆÄ¾ÇÇÏ´Â °ÍÀ» ÁÖ¿ä ¸ñÀûÀ¸·Î ÇÑ´Ù.
¿ä¾à2 The purpose of this study is to investigate the modern meanings and attitudes of the motives shown in the traditional houses. Research methods to achieve this purpose are review of literature and the questionnaire survey. The major results of this study are as follows; First, The interpretation of the modern meanings of the traditional motives were mainly affected by 'the forms and shapes of the motives rather than 'the meanings and symbols of the motives'. Second, many people felt friendly, preferable to use the motives in modern design, decorative and good-meaningful about the motives. Through this results related to the attitudes of the motives, each motive should be developed by new design and needed the modification.; Especially, 'flower-shape', 'ä¬-shape', 'ïá-shape', 'ýì-shape' were good motives to use in modern exterior and interior design.
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