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³í¹®¸í 20¼¼±â ÃÊ ·¯½Ã¾Æ ±¸¼ºÁÖÀÇ¿¡¼­ ³ªÅ¸³ª´Â °ø°£µðÀÚÀο¡ °üÇÑ ¿¬±¸ / A Study on Space Design in Russian constructivism on early 20th Century
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¼ö·Ï»çÇ× Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý, NO.29 (2001-12)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(35) ÃÑÆäÀÌÁö(8)
ISSN 12297992
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¿ä¾à1 20¼¼±â ÈÄ¹Ý ¸¶¸£ÄíÁ¦´Â¡¸Çع濡 °üÇÑ ¿¡¼¼ÀÌ¡¹¿¡¼­ »çȸÀÇ »ý»ê´É·ÂÀº ¿¹¼úÀÇ Ã¢Á¶´É·Â°ú À¯»çÇÒ ¼ö ÀÖ°í, ¿¹¼ú¼¼°èÀÇ ±¸¼ºÀº ½ÇÀç ¼¼°è¸¦ À籸¼º ÇÏ´Â °Í'À̶ó°í Çß´Ù. ¶ÇÇÑ ±×´Â ±¸¼ºÁÖÀÇÀÇ ±â¼ú¿µÇâ¿¡ ´ëÇÑ »ó»ó·ÂÀÇ ÀÌ·Ð Àº °úÇÐÀûÀ̸鼭µµ ½ÃÀûÀ̾î¾ß Çϰí, Áö½Ä°ú µ¿½Ã¿¡ ½ÇõÀ¸·Î À̲ô´Â °ÍÀ̶ó °í Çß´Ù. ÀÌ´Â ·¯½Ã¾Æ ±¸¼ºÁÖÀǰ¡ ¿¹¼ú¿¡ ÀÖ¾î ¿¹¼úÀÇ »çȸȭ¸¦ ÅëÇØ ¹ÌÀû Áñ°Å¿ò¸¸À» ÃæÁ·½ÃÄÑÁÖ´Â °ÍÀÌ ¾Æ´Ñ ´ëÁßÀ» À§ÇÑ ¿¹¼úÀ» ½ÇÇàÇÑ °Í¿¡ ´ëÇÑ ´çÀ§¼ºÀ» Á¦°øÇϰí ÀÖ´Ù. ·¯½Ã¾Æ ±¸¼ºÁÖÀÇ´Â ¼ø¼ö ÇüÅÂÃß±¸¿Í ±â´ÉÀû Ãß±¸ ¶ó´Â µÎ°¡Áö Á¶ÇüÀû ¾ç»óÀ¸·Î Àü ?°³µÇ¾ú´Ù. ÀÌ´Â ±âÇÏÇÐÀû Ãß»ó°ú ±¸¼ºÁÖÀÇ º¸ÆíÀû ÇÕ¸®È­¸¦ ÅëÇÑ ±â´ÉÀû ÇüŸ¦ Ãß±¸ÇÏ·Á´Â ¸ð´õ´ÏƼÀÇ ±âȹÀ» ½ÇÇöÇÏ °íÀÚ ?Çß´Ù´Â Á¡¿¡¼­ °­·ÂÇÑ À¯ÅäÇÇ¾Æ ¿îµ¿ÀÇ Çϳª¿´´Ù. º» ¿¬±¸´Â 20¼¼±âÃÊ Ãß»ó¹Ì¼úÀÇ Ä¿´Ù¶õ ¿µ¿ª¼Ó¿¡¼­ ±¸¼ºÁÖÀÇÀÇ °ø°£¿¬Ãâ¿¡ ÀÖ¾î ÀçÁ¶¸íµÇ°í ÀÖ´Â ÇüÅÂ, ±â´ÉÀû Ãø¸é¿¡¼­ °ø°£¿¡ ³ªÅ¸³ª´Â Á¶ÇüÀû Ư¼ºÀ» ºÐ·ùÇÏ°í ±× ºÐ·ù¿¡ µû¶ó °ø°£µðÀÚÀο¡¼­ º¸¿©Áö´Â Ç¥ÇöÀû Ư¼ºÀ» ¿¬±¸Çϴµ¥ ¸ñÀûÀÌ ÀÖ´Ù.
¿ä¾à2 As a part of Avant-Garde movement centered in Russia before and after the Revolution in 1917, Russian Constructivism was born as most experimental and avant-garde modernity artistic movement. Russian Constructivism played a significant part in relative to Avant-Garde in the beginning of twentieth century and has contributed to a series of artistic movement, it deserves a status befitting its contribution to modern abstract art. Noticing the fact that Constructivist approaches are being attempted in modern architecture with the new rise of Constructivist design theory and increased interest in Constructivism, this thesis explores the design elements characterizing Constructivism in art and architecture To be specific, it suggests the relation of Plastic paradigm in formalistic, elemental and technical aspects and categories into Plastic characteristics. Thereby, the thesis aims to categorize the elements in terms of contradicting two trends of pure plastic and scientific expressions, and to analyze comparatively the related plastic trends represented in modern space design. The thesis recognizes that attempts to break out from stereotypes of Constructivism to reinvent itself constantly have contributed to an unconventional forms and new aesthetic standards and have a great impact on idealistic forms in many genres.
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