°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

Çѱ¹¹®È­°ø°£°ÇÃàÇÐȸ|³í¹®Áý 2002³â 2¿ù

³í¹®¸í [³í¹®] Àü½Ã °ø°£ÀÇ º¹À⼺¿¡ ³ªÅ¸³­ »çȸ ´Ù¿øÈ­ Çö»ó¿¡ °üÇÑ ¿¬±¸
ÀúÀÚ¸í ¹®Á¤¹¬ ; ÀÓäÁø
¹ßÇà»ç Çѱ¹¹Ú¹°°ü°ÇÃàÇÐȸ
¼ö·Ï»çÇ× Çѱ¹¹Ú¹°°ü°ÇÃàÇÐȸ ³í¹®Áý, Åë±Ç Á¦6È£ (2002-02)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(5) ÃÑÆäÀÌÁö(10)
ÁÖÁ¦ºÐ·ù °èȹ¹×¼³°è
¿ä¾à1 º» ¿¬±¸´Â »ê¾÷Çõ¸í½Ã´ëÀÇ ´ëÇ¥ÀûÀÎ Àü½Ã°ø°£ÀÎ ¼öÁ¤±Ã(Crystal Palace)ÀÇ Æ¯¼º°ú ÃÖ±ÙÀÇ Á¤º¸Çõ¸í½Ã´ëÀÇ Àü½Ã°ø°£ÀÎ ¹Ð·¹´Ï¾ö µ¼(Millenium Dome)ÀÇ Æ¯¼ºÀÇ ºñ±³¸¦ ÅëÇÏ¿© ±Ù°£ÀÇ Àü½Ã°ø°£ÀÌ Áö±ÝÀÇ »çȸ°¡ ÁöÇâÇÏ´Â ´Ù¿ø¼º°ú ¾î¶°ÇÑ °ü·ÃÀ» ¸Î°í Àִ°¡¸¦ ¿¬±¸Çϱâ À§ÇÔÀÌ´Ù. ÀÌ´Â °á±¹ »ê¾÷Çõ¸í½Ã´ëÀÇ ±âÇÏÇÐÀû °ø°£ÇüÅ ¹× °ø°£±¸Á¶¿Í Á¤º¸Çõ¸í½Ã´ëÀÇ Å» ±âÇÏÇÐÀû °ø°£ÇüÅ ¹× °ø°£±¸Á¶ÀÇ ºñ±³ºÐ¼®, ±×¸®°í À̸¦ ÅëÇÑ µÎ ½Ã´ëÀÇ »çȸ, ¹®È­Àû °ü·Ã¼º¿¡ °üÇÑ °ÍÀ̶ó°í ÇÒ ¼ö ÀÖ´Ù.
º» ¿¬±¸¸¦ ÅëÇÏ¿© »çȸ, ¹®È­Àû »óȲÀÇ º¯È­°¡ ±×°ÍÀÌ ¿¡¿ö½Î°í ÀÖ´Â ¹°Áú¼¼°è ¹× Àΰ£ È°µ¿¿¡ ¾î¶°ÇÑ ¿µÇâÀ» ÁÖ°í ÀÖ´Â °¡¸¦ ÀÌÇØÇÒ ¼ö ÀÖÀ¸¸ç Áö±ÝÀÇ »çȸ¿¡¼­ ¹ß°ßµÇ´Â »çȸ Çö»ó°ú ÀÌ·¯ÇÑ »óȲÇÏ¿¡¼­ »çȸ ±³À°Àû ¿ªÇÒÀ» ´ã´çÇÏ°í ÀÖ´Â Àü½Ã °ø°£ »çÀÌÀÇ °ü°è¸¦ Á¤¸³ÇÏ¿© ÀÌ ½Ã´ëÀÇ Àü½Ã °ø°£ÀÌ °®Ãß¾î¾ßÇÒ ¿ªÇÒÀ» ¸»ÇÏ°Ô µÈ´Ù. ±×¸®°í, ÀÌ·¯ÇÑ ¿ªÇÒÀÇ ÀÌÇØ´Â ÃÖ±ÙÀÇ »çȸÀû »óȲÇÏ¿¡¼­ Àü½Ã¸¦ À§ÇÑ ¹°¸®Àû ȯ°æ°ú °ø°£ÀÇ ±¸¼ºÀÌ °®Ãß¾î¾ß ÇÒ ³»¿ëÀ» ¸»ÇØÁØ´Ù. °á±¹, ¸ðµç »çȸÀû »ý»ê¹°µéÀÌ ±×·¯ÇϵíÀÌ Æ¯Á¤ÇÑ ¹®È­Àû »óȲ ¼Ó¿¡¼­ ¸¸µé¾îÁö´Â Àΰ£ÀÇ Ã¢Á¶¹°µéÀ» ÅëÇÏ¿© ±× ½Ã´ëÀÇ »çȸ°¡ ÁöÇâÇÏ´Â ¹Ù°¡ Ç¥ÇöµÇ°í ÀÖ´Ù°í ÇßÀ» ¶§, º» ¿¬±¸´Â Àü½Ã°ø°£ÀÇ º¯È­°¡ ±× ½Ã´ëÀÇ Æ¯¼öÇÑ »çȸÀû »óȲÀ» Ç¥ÇöÇÏ°í ÀÖÀ½À» º¸¿©ÁÖ´Â ¿¬±¸°¡ µÈ´Ù.
¿ä¾à2 Since the Industrial Revolution of the 19th century, the amount of information has been increased rapidly with the property which the machine provided. In this circumstances, the media was so limited that the new way of communication came to require the Exposition. Since this, the Exposition became popular to the public with the industrialism. The product that a machine produce was the same in terms of its form and this way of producing affected the way of exposition. Therefore, the environment of exposition was homogeneous. Now, the information revolution is replacing the industrialism and the space of exposition is totally different from the past.
This study is for the search of how the differences of the way of exposition in terms of its spatial environment between the industrial revolution and the information one are related to the social situation. These differences includes spatial one and formal one.
¼ÒÀåó Çѱ¹¹Ú¹°°ü°ÇÃàÇÐȸ
¾ð¾î Çѱ¹¾î
¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
¼³°è´Ü°èÀÇ ³»½ÇÈ­°¡ °ø»ç±â°£ ¹× °ø»çºñ¿¡ ¹ÌÄ¡´Â ¿µÇâºÐ¼®
ÀÌÀç¼·(Lee Jae-Seob) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý ±¸Á¶°è : v.22 n.5 (200605)
°ÇÃࡤµµ½Ã°ø°£ÀÇ Çö´ëÀû °ø°ø¼º¿¡ °üÇÑ ±âÃÊ ¿¬±¸
¿°Ã¶È£ ; ½É°æ¹Ì ; Á¶Áعè - ¿¬±¸º¸°í¼­(±âº») : 2008 n.8 (200902)
[ƯÁý] ±¹³» ģȯ°æ °ÇÃ๰ »ç·Ê ºÐ¼®
Á¤Áö³ª ; ±è¿ë¼® ; À̽¹Π- ±×¸°ºôµù(Çѱ¹±×¸°ºôµùÇùÀÇȸÁö) : v.9 n.1 (200803)
[ÁÖÁ¦¹ßÇ¥] ·±´ø 1851³â ¼¼°è »ê¾÷¹Ú¶÷ȸ¿Í ÆŽºÅæÀÇ °ÇÃà
ÀÌÀçÀÍ - Çѱ¹°ÇÃ࿪»çÇÐȸ Ãß°èÇмú¹ßÇ¥´ëȸ ³í¹®Áý : (200311)
[¼¼°è¸íÀÛ±¸Á¶¹°] ¹Ð·¹´Ï¾ö µ¼
Á¤¼®Ã¢ - Çѱ¹°­±¸Á¶ÇÐȸÁö : v.12 n.2 (200006)
°ø°£±¸Á¶À̷аú ÇàÀ§ÀÚ±â¹Ý¸ðµ¨ ºñ±³ ¹× Àû¿ë¼º¿¡ °üÇÑ ¿¬±¸
À±¼ÒÈñ(Yoon, So-Hee) ; ±è¼®ÅÂ(Kim, Suk-Tae) - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : Á¦18±Ç 1È£ (201605)
Le CorbusierÀÇ Modulor¿¡ µå·¯³­ Á¶È­ÀÇ ÀǹÌ
ÀÓ¼ºÈÆ(Lim Sung-Hun) ; À̵¿¾ð(Lee Dong-Eon) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.03 (201003)
¹ÂÁö¾ö Àü½Ã°ø°£ÀÇ °ü¶÷Æ÷±â¿äÀο¡ °üÇÑ ¿¬±¸
±è¹ÌÇö ; ¹®Á¤¹¬ - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : Á¦11±Ç 2È£ (200910)
·½ ÄðÇϽº¿Í Ä«Áî¿ä ¼¼Áö¸¶ °ÇÃà¿¡¼­ ³ªÅ¸³ª´Â ÇÁ·Î±×·¥ÀÇ Á¶Á÷°ú °ø°£±¸¼º ¹æ¹ýÀÇ ºñ±³ºÐ¼®
±Ç°æ¹Î ; ±èÁ¾Áø - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.6(Åë±Ç 65È£) (200712)
¹Ú¹°°ü Àü½Ã°ø°£±¸Á¶¿Í °ü¶÷°´ ¿òÁ÷ÀÓÀÇ »ó°ü¼º(¥°)
ÀÓäÁø(Lim Che-Zinn) ; ¹Ú¹«È£(Park Moo-Ho) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.22 n.10 (200610)