°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

Çѱ¹¹®È­°ø°£°ÇÃàÇÐȸ|³í¹®Áý 2000³â 4¿ù

³í¹®¸í [³í¹®] 𽺠²¿·¹¾Æ(Charles Correa)ÀÇ ¹Ì¼ú°ü°ÇÃà °ø°£±¸¼º Ư¼º¿¡ °üÇÑ ¿¬±¸
ÀúÀÚ¸í À̼ºÈÆ
¹ßÇà»ç Çѱ¹¹Ú¹°°ü°ÇÃàÇÐȸ
¼ö·Ï»çÇ× Çѱ¹¹Ú¹°°ü°ÇÃàÇÐȸ ³í¹®Áý, Åë±Ç Á¦3È£ (2000-04)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(37) ÃÑÆäÀÌÁö(14)
ÁÖÁ¦ºÐ·ù °èȹ¹×¼³°è / ÀÌ·Ð
ÁÖÁ¦¾î 𽺠²¿·¹¾Æ ; ¹Ì¼ú°ü ; Charles Correa ; museum
¿ä¾à1 º» ¿¬±¸´Â ÀεµÀÇ ºñÆòÀû Áö¿ªÁÖÀÇ °ÇÃàÀ» ¼±µµÇϸç, ÁÖ¾îÁø ÀÚ¿øÀ» È°¿ëÇÏ¿© ÀûÀýÇÑ ¾îÈÖ¸¦ ¸¸µé¸é¼­ Àεµ°ÇÃàÀÇ Á¤Ã¼¼ºÀ» ´õ¿í ¶Ñ·ÇÇÏ°Ô ºÎ°¢½ÃÄÑ ÁÖ°í ÀÖ´Â °ÇÃà°¡ 𽺠²¿·¹¾Æ(Charles Correa, ÀÌÇÏ ²¿·¹¾Æ, 1930- )ÀÇ ÀÛÇ°¼¼°è°üÀ» »ìÆ캸°í, ±×ÀÇ ¼ö¸¹Àº ÀÛÇ°µé Áß ºñÆòÀû Áö¿ªÁÖÀǸ¦ Àß ¹Ý¿µ½ÃÄÑ °èȹµÈ ¹Ì¼ú°ü °ÇÃ๰µéÀÇ °ø°£ ¹× µðÀÚÀÎ ¿ä¼ÒÀÇ ºÐ¼®À» ÅëÇØ ±× ±¸¼º¿ä¼Ò ¹× Ư¼º, °ÇÃà¾îÈÖ µîÀ» °íÂûÇØ º½À¸·Î½á Çѱ¹ÀÇ °¢ Áö¹æ¸¶´Ù ¿ìÈÄÁ×¼øó·³ °Ç¸³µÇ°í ÀÖ´Â ¸¹Àº ¹Ì¼ú°ü°ÇÃ๰ÀÇ °èȹ¿¡ ÀÖ¾î Á¤Ã¼¼º È®¸³¿¡ ´ëÇÑ ¹æ¹ý·ÐÀ» °£Á¢ÀûÀ¸·Î Á¦½ÃÇØ º¸°íÀÚ ÇÑ´Ù.
¿ä¾à2 This study focused on the works of Charles Correa(1930- ) who has been well known in combining the tradition and the modern concept of architecture to come up with new vocabularies in the history of architecture and manipulating the surrounding environmental conditions. As a leading architect promoting the concept of "Architectural Regionalism" in India, his contribution to fully expose the Identity of Indian Architecture has been remarkable. Among many of Correa's works, the museum projects best represent his interpretation of the Regionalism. His successful explanation of the Regionalism through the development of spatial organization and design elements will be helpful tip to our recent movement of museum construction through out the whole country without any pre-planning or respecting to the surrounding condition or to the local identity.
Correa's constant consideration on the use of local materials, cultural background, even the weather condition always effected his architectural design which is the reason that his architecture blends well with surrounding nature when it is completed. He often uses the phrase "open-to-sky space concept" in order to show his concern about the modern ideas dominating traditional India without any proper understanding of the basic values of the country. This study will reveal his unique architectural concepts through his museum designs as well as looking at some clever ways of adapting the traditional forms of India - such as using Mandala or village forms- in order to create modernized architectural monuments representing new India.
¼ÒÀåó Çѱ¹¹Ú¹°°ü°ÇÃàÇÐȸ
¾ð¾î Çѱ¹¾î
¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
·½ ÄðÇϽº¿Í Ä«Áî¿ä ¼¼Áö¸¶ °ÇÃà¿¡¼­ ³ªÅ¸³ª´Â ÇÁ·Î±×·¥ÀÇ Á¶Á÷°ú °ø°£±¸¼º ¹æ¹ýÀÇ ºñ±³ºÐ¼®
±Ç°æ¹Î ; ±èÁ¾Áø - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.6(Åë±Ç 65È£) (200712)
°ÇÃࡤµµ½Ã°ø°£ÀÇ Çö´ëÀû °ø°ø¼º¿¡ °üÇÑ ±âÃÊ ¿¬±¸
¿°Ã¶È£ ; ½É°æ¹Ì ; Á¶Áعè - ¿¬±¸º¸°í¼­(±âº») : 2008 n.8 (200902)
[ƯÁý] ±¹³» ģȯ°æ °ÇÃ๰ »ç·Ê ºÐ¼®
Á¤Áö³ª ; ±è¿ë¼® ; À̽¹Π- ±×¸°ºôµù(Çѱ¹±×¸°ºôµùÇùÀÇȸÁö) : v.9 n.1 (200803)
ÇÁ·Î±×·¥°ú ´ÙÀ̾î±×·¥ÀÇ Àû¿ëÀ» ÅëÇÑ °ÇÃà ÇüÅ »ý¼º ¿¬±¸
À±Çý°æ(Yoon Hae-Kyung) ; ±èÁÖ¿µ(Kim Ju-Young) ; È«¿øÈ­(Hong Won-Hwa) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.02 (201002)
Âû½º ²¿·¹¾Æ °ÇÃà¿¡ ³ªÅ¸³ª´Â ½Å¼º°ú Áö¿ª¼º ¿¬±¸
À̽ÃÈ¿ ; ±è°æ¼ö - Çѱ¹°ÇÃ࿪»çÇÐȸ Ãß°èÇмú¹ßÇ¥´ëȸ ³í¹®Áý : (200711)
[½Ã·Ð] 4Â÷ »ê¾÷Çõ¸í ½Ã´ë, °ÇÃàÀÇ ´ëÀÀ
À̸í½Ä(Lee, Myung-Sik) - °ÇÃà(´ëÇÑ°ÇÃàÇÐȸÁö) : Vol.61 No.05 (201705)
Ãò¹Ì, ÄÝÇϽº, MVRDV¿¡ ³ªÅ¸³­ ÇÁ·Î±×·¥Àû ÀÌÁú¼º°ú ÀÌÁ¢¿¡ ´ëÇÑ ¿¬±¸
Àå¿ë¼ø(Chang Yong-Soon) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.06 (201006)
±¹³» Æнúê°ÇÃ๰ ¼³°è ¹× ½Ã°ø»ç·Ê
À̸íÁÖ - Çѱ¹±×¸°ºôµùÇùÀÇȸ Ãß°èÇмú°­¿¬È¸ ³í¹®Áý : (200911)
Çö´ë°ÇÃàÀÇ ¡®ÀüÅ롯 Çؼ®¹æ½Ä¿¡ °üÇÑ ¿¬±¸
·ùÀº¹Ì(Ryu Eun-Mi) ; °­ÈÆ(Kang Hoon) ; À̵¿¾ð(Lee Dong-Eon) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.20 n.7 (200407)
[ƯÁý] °ÇÃà°¡ÀÇ »çȸÀû ¿ªÈ°°ú Ã¥ÀÓ
¹Ú¼ºÅ - °ÇÃà(´ëÇÑ°ÇÃàÇÐȸÁö) : v.41 n.1 (199701)