°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

Çѱ¹¹®È­°ø°£°ÇÃàÇÐȸ|³í¹®Áý 1998³â 11¿ù

³í¹®¸í [³í¹®] ÄコƮÇÒ ¹ÂÁö¾öÀÇ ¹ÌÀûüÇè
ÀúÀÚ¸í ±è¹ÎÁ¦
¹ßÇà»ç Çѱ¹¹Ú¹°°ü°ÇÃàÇÐȸ
¼ö·Ï»çÇ× Çѱ¹¹Ú¹°°ü°ÇÃàÇÐȸ ³í¹®Áý, Ⱓȣ (1998-11)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(19) ÃÑÆäÀÌÁö(7)
ÁÖÁ¦ºÐ·ù °èȹ¹×¼³°è
¿ä¾à1 ¹Ú¹°°ü°ÇÃàÀº °¢ ½Ã´ëÀÇ ¹®È­Àû°¡Ä¡¸¦ ´ëº°ÇÏ´Â ´ëÇ¥Àû °ÇÃàÀ¸·Î ÀνĵǾú´Ù. °ÇÃà°¡µé ¿ª½Ã ÀÚ½ÅÀÇ ´ëÇ¥Àû °ÇÃ๰·Î ¹Ú¹°°ü°ÇÃàÀ» ³»¼¼¿ì°í ÀÖÀ¸¸ç, °ÇÃà°¡ÀÇ °ÇÃàÀû »ç°í¸¦ Ç¥ÃâÇÏ´Â Áß¿äÇÑ µµ±¸·Î ¹Ú¹°°ü °ÇÃàÀÌ ÀÌ¿ëµÇ°í ÀÖÀ½À» ¾Ë ¼ö ÀÖ´Ù.
°ÇÃà°¡ Rem koolhaas(1944-ÇöÀç)ÀÇ Kunsthal Museum(Rotterdam Nethelands, 1992)Àº Çö´ë°ÇÃàÀÇ ´Ù¾çÇÑ ½ÇÇèÀÛÇ° Áß¿¡ Çϳª¶ó°í º¼ ¼ö ÀÖ´Ù. ·½ÄðÇϽº¿Í O.M.A±×·ìÀÌ ÁÖÀåÇÏ´Â µµ½Ã¿Í °ÇÃà¿¡ ´ëÇÑ »õ·Î¿î Çؼ®°ú »ç°í´Â ±âÁ¸ °ÇÃà°³³ä¿¡ Ãæ°ÝÀ» ÁÖ°í ÀÖ´Ù. ±×ÀÇ °ÇÃàÀû »ç°í°¡ ±Ø¸íÇÏ°Ô µå·¯³­ ¡¸S.M.L.XL¡¹Àº °ÇÃàÀ» ¼ÒÀç·ÎÇÑ ¿µÈ­(¶Ç´Â ±× ´ëº»)ó·³ º¸ÀδÙ.
ÀÌ¿Í°°ÀÌ Kunsthal MuseumÀº Çö´ë ¹Ú¹°°ü °ÇÃàÀÇ ÇÑ ´Ü¸éÀ» »ìÆì º¼ ¼ö ÀÖ´Â ÁÁÀº »ç·Ê¶ó ÇÒ ¼ö ÀÖ´Ù. Çö´ë¿¡ À̸£·¯ ¹Ú¹°°ü °ÇÃàÀÇ »õ·Î¿î ÀǹÌ, ¶Ç´Ù¸¥ ¹ÌÀû°¡Ä¡ÀÇ ½ÇÇèÀ» ÅëÇÏ¿© »çȸ¿Í ´ëÁß¿¡°Ô ¹ÌÀû dz¿ä·Î¿òÀ» Á¦°øÇÏ°í ±¸ÃàÇÏ¿©°¡´Â °úÁ¤À» ÃßÀûÇÒ ¼ö ÀÖÀ» °ÍÀÌ´Ù.
¿ä¾à2 An understanding the aesthetic of museum architecture is not got by an interpretation of the material object. It is gained in the relationship with the architecture and visior to this place. The purpose of this study is finding that the meaning of Museum Architecture is important not only the function of inner space but also the experience of Architecture space. The result of aesthetic experience from KunstHal museum is that : the museum encounters the various phenomenon to the visitor in the experience, it provides the meaning rather abundant aesthetic with the multi-dimension than accomplishing the one-dimension. For provising of the abundant aesthetic, the prime effort in the contemporary museum architecture is making a standard for the understanding of Museum Architecture. The sincerity performance of basic principal in the function of Museum and the continuously experiment-suggestion of the architect's idealistic for the providing high level of aestetic experience are important.
¼ÒÀåó Çѱ¹¹Ú¹°°ü°ÇÃàÇÐȸ
¾ð¾î Çѱ¹¾î
¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
·½ ÄðÇϽº¿Í Ä«Áî¿ä ¼¼Áö¸¶ °ÇÃà¿¡¼­ ³ªÅ¸³ª´Â ÇÁ·Î±×·¥ÀÇ Á¶Á÷°ú °ø°£±¸¼º ¹æ¹ýÀÇ ºñ±³ºÐ¼®
±Ç°æ¹Î ; ±èÁ¾Áø - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.6(Åë±Ç 65È£) (200712)
ÇÁ·Î±×·¥°ú ´ÙÀ̾î±×·¥ÀÇ Àû¿ëÀ» ÅëÇÑ °ÇÃà ÇüÅ »ý¼º ¿¬±¸
À±Çý°æ(Yoon Hae-Kyung) ; ±èÁÖ¿µ(Kim Ju-Young) ; È«¿øÈ­(Hong Won-Hwa) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.02 (201002)
°ÇÃࡤµµ½Ã°ø°£ÀÇ Çö´ëÀû °ø°ø¼º¿¡ °üÇÑ ±âÃÊ ¿¬±¸
¿°Ã¶È£ ; ½É°æ¹Ì ; Á¶Áعè - ¿¬±¸º¸°í¼­(±âº») : 2008 n.8 (200902)
[½Ã·Ð] 4Â÷ »ê¾÷Çõ¸í ½Ã´ë, °ÇÃàÀÇ ´ëÀÀ
À̸í½Ä(Lee, Myung-Sik) - °ÇÃà(´ëÇÑ°ÇÃàÇÐȸÁö) : Vol.61 No.05 (201705)
[ƯÁý] ±¹³» ģȯ°æ °ÇÃ๰ »ç·Ê ºÐ¼®
Á¤Áö³ª ; ±è¿ë¼® ; À̽¹Π- ±×¸°ºôµù(Çѱ¹±×¸°ºôµùÇùÀÇȸÁö) : v.9 n.1 (200803)
±¹³» Æнúê°ÇÃ๰ ¼³°è ¹× ½Ã°ø»ç·Ê
À̸íÁÖ - Çѱ¹±×¸°ºôµùÇùÀÇȸ Ãß°èÇмú°­¿¬È¸ ³í¹®Áý : (200911)
OMA, MVRDV, SANAA¿¡ ³ªÅ¸³­ ¸ÅÆ®-ºôµùÀÇ ¿µÇâ¿¡ ´ëÇÑ ¿¬±¸
Àå¿ë¼ø(Chang Yong-Soon) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.27 n.4 (201104)
¹Ì¼ú°ü °ÇÃà¿¡ ³ªÅ¸³­ ·½ ÄðÇϽºÀÇ °ÇÃàöÇÐ
ÀÌ¿µ¹Î ; ±è³«Ãá - ´ëÇÑ°ÇÃàÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : (200610)
[ƯÁý] ģȯ°æ °ÇÃ๰ÀÇ °³³ä ¹× °èȹ ¹æ¹ý
À±Á¾È£ - °ÇÃàȯ°æ¼³ºñ(Çѱ¹°ÇÃàģȯ°æ¼³ºñÇÐȸÁö) : v.1 n.2 (200710)
[³í¹®] ÄÝÇϽº¿Í Ãò¹ÌÀÇ ¶ó ºô·¹¶ß °ø¿ø °èȹ¾È ºñ±³ ºÐ¼®
±èÀμº - °ÇÃ࿪»ç¿¬±¸(Çѱ¹°ÇÃ࿪»çÇÐȸÁö) : v.20 n.4(Åë±Ç 77È£) (201108)