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³í¹®¸í ÀÌÇüµ¿Áú¿¡ ÀÇÇÑ Áß¼¼ ±³È¸°ÇÃà°ú ¼º°¡ÀÇ ¸®µë¿¡ °üÇÑ ¿¬±¸ / A Study on the rhythm of Cathedral and Chant in the Middle Age focused on the Isomorphism
ÀúÀÚ¸í ÀÌÈ«±Ô½Äº°ÀúÀÚ(Lee Hong-Kyu) ; µ¿Á¤±Ù½Äº°ÀúÀÚ(Dong Jung-Keun)
¹ßÇà»ç ´ëÇѰÇÃàÇÐȸ
¼ö·Ï»çÇ× ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è, v.19 n.12 (2003-12)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(163) ÃÑÆäÀÌÁö(8)
ISSN 12269093
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ÁÖÁ¦¾î °Ô½¬Å»Æ® ÀÌ·Ð ; ÀÌÇüµ¿Áú ; Áß¼¼ ; ±³È¸ ; ¼º°¡ ; ¸®µë ; Gestalt theory ; Isomorphism ; the Middle Age ; Cathedral ; Chant ; Rhythm
¿ä¾à1 º» ¿¬±¸´Â °Ô½¬Å»Æ® ÀÌ·Ð(Gestalt Theory)ÀÇ ÀÌÇüµ¿Áú(Isomorphorism)ÀÇ ¿ø¸®¿¡ ±âÃÊÇÑ °ÇÃà°ú À½¾ÇÀÇ ¿¬°ü¼º ¹× ¿µÇ⼺¿¡ ´ëÇÑ ºÐ¼®À» ¸ñÀûÀ¸·Î ÇÑ´Ù. ÀÌÇüµ¿ÁúÀº ¼­·Î ´Ù¸¥ ¸Åü ¼Ó¿¡ »ý°Ü³ª´Â °úÁ¤ÀÌ °°À¸¸é, ¸Åü°¡ ´Ù¸£´õ¶óµµ ±¸Á¶Àû Á¶Á÷Àº °°´Ù´Â °ÍÀÌ´Ù. À̸¦ À§ÇØ º» ¿¬±¸´Â ÇÁ¶û½º¸¦ Áß½ÉÀ¸·Î ÇÑ Áß¼¼ÀÇ ±³È¸¿Í ±× ¾È¿¡¼­ »ç¿ëµÇ¾îÁö´Â ¼º°¡(Chant)¸¦ ´ë»óÀ¸·Î ¸®µë(Rhythm)À» »ìÆìº¸°íÀÚ ÇÑ´Ù. ½Ã±âÀûÀ¸·Î Áß¼¼´Â ¾ÆÁ÷ ¿¹¼úÀÇ ºÐÈ­°¡ ÀÌ·ç¾îÁöÁö ¾ÊÀº ½Ã±â·Î, ±³È¸´Â ¼­¾ç»çȸ¿¡ ¾ÐµµÀûÀÎ ¿µÇâ·ÂÀ» ¹ÌÄ¡´Â ±â°üÀ¸·Î ¸ðµç ¿¹¼ú°ú ±³¾çÀ» Áö¹èÇÑ´Ù. Áö¿ªÀûÀ¸·Î´Â 7C ÀÌÈÄ ÁöÁßÇØ°¡ ±¹Á¦ÀûÀÎ ±³¿ª¸ÁÀÌ Â÷´ÜµÇ¸ç ¼öµµ¿øÀÇ ¿µÇâÀ¸·Î À¯·´ÀÌ ÇϳªÀÇ ¹®È­±ÇÀ» Çü¼ºÇÏ°Ô µÇ¸ç ÀÌ ¹®È­±ÇÀÇ Á߽ɿ¡ À§Ä¡ÇÑ °ÍÀÌ ÇÁ¶û½ºÀÌ´Ù, ¶ÇÇÑ 12C ÀÌÈÄ °íµñ¾ç½ÄÀÇ ½ÃÀÛ°ú ¹ø¼ºÁöÀ̸ç À¯·´ÀÇ À½¾ÇÀÇ Áß½ÉÁöÀ̱⵵ ÇÏ´Ù. ¼º°¡¿Í ±³È¸´Â À½¾Ç°ú ¿¬ÁֵǴ Àå¼Ò·Î ¼­·Î ¹«°üÇÑ °ÍÀÌ ¾Æ´Ï¶ó »óÈ£ º¸¿ÏÀûÀ¸¸ç, ¸®µëÀº º¸ÆíÀû Çö»óÀ¸·Î °ÇÃà¿¡¼­´Â µðÀÚÀÎ ±¸¼º¿ø¸®À̸ç À½¾Ç¿¡¼­ÀÇ ¼¼ °¡Áö ±âº»¿ä¼ÒÁß Çϳª·Î °ÇÃà°ú À½¾ÇÀÇ »óÈ£ÀÛ¿ëÀ» Àß µå·¯³»ÁÙ °ÍÀ¸·Î º¸À̱⠶§¹®ÀÌ´Ù.
º» ¿¬±¸´Â ÀÌÇüµ¿Áú(Isomorphorism)ÀÇ ¿ø¸®¿¡ ±âÃÊÇÏ¿© °ÇÃà°ú À½¾ÇÀÇ ¿¬°ü¼º ¹× ¿µÇ⼺¿¡ ´ëÇÑ.ºÐ¼® °á°ú, À½¾Ç¿¡ ±Ù°ÅÇϰí ÀÖ´Ù°í ¾Ë·ÁÁø Áß¼¼ ±³È¸ °ÇÃàÀÇ °ø°£»óÀÇ ¸®µë°¨Àº Áß¼¼ Àü ½Ã±â¸¦ ÅëÇØ ¼º°¡ÀÇ ¸®µëÀÌ ±³È¸ ³»ºÎ°ø°£ÀÇ ¸®µëº¸´Ù ´Ê°Ô ³ªÅ¸³­´Ù. ±³È¸ÀÇ ±âµÕ¹è¿­¿¡ ³ªÅ¸³ª´Â ¸®µë°¨Àº À½¾ÇÀÇ ¿µÇâ¿¡ ±âÀÎÇÏÁö ¾ÊÀ¸¸ç ¿ÀÈ÷·Á ÀÌÇüµ¿Áú¿¡ ÀÇÇØ °ÇÃàÀÌ ¼º°¡ÀÇ ¸®µë¿¡ ¿µÇâÀ» ¹ÌÄ£ °ÍÀ¸·Î º¸ÀδÙ. ¶ÇÇÑ ¸®µë°¨ÀÇ È帧Àº À¯»ç¼ºÀ» º¸À̰í ÀÖ´Ù. À̰ÍÀº ÀÌÇüµ¿Áú·ÎÀÇ ³»ÀûÀ¯»ç¼ºÀ̶ó ÇÒ ¼ö ÀÖ´Ù. º»´Ù´Â °ÍÀº ½Ã°¢Àû ÈûÀÇ ÇüÅÂÈ­ÀÇ ÀÛ¿ëÀ» ¸®µëÀ¸·Î Áö°¢ÇÏ´Â °ÍÀ» Æ÷ÇÔÇϸç, ÀÌ¿Í °°Àº Áö°¢µÈ ÈûÀÇ ÇüÅÂÈ­´Â ÀÚ¿¬¹ß»ýÀûÀ¸·Î Áß¿äÇÑ »ýȰ »óÅ ¼Ó¿¡¼­ ÈûÀÇ ÀÛ¿ëÀÇ À̹ÌÁö·Î, Áï À½¾Ç ¼Ó¿¡¼­ ¸®µëÀÇ ÇüÅ·Π³ªÅ¸³­ °ÍÀ̶ó ÇÒ ¼ö ÀÖ´Ù.
¿ä¾à2 This study intends to understand the relation of architecture and music in the Middle Age. Art, in any age, is the expression of the characteristic attitudes of the people of that age toward important aspects of life. In an age when the Church is the principle social institution, the task confronting artists is that of expressing religious sentiments in harmony with the particular doctrine of dominant religious group. Architecture and music are affected. by the dominant group. For the purpose, analyzed is isomorphism of Gestalt theory. The objects of this study are rhythms of European Cathedrals and Chants. It is a generally accepted that the rhythm of columned arrangement in cathedral is based on music in the Middle Age. The analysis shows that the rhythm of columned arrangemant, as opposed to common knowledge, effects on the rhythm of chants and the change of rhythmic flow in architecture has an inclination to coincide with that in music, though somewhat different from genre.
Art is the communicator of an idea and culture and society and is based on experience. The influence of one art on another is important in determining the artistic trends of a particular art.
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