°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

´ëÇÑ°ÇÃàÇÐȸ|´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è 2001³â 9¿ù

³í¹®¸í ðÈàØãÁÓÛ ß¾×µñ¬÷ÈÀÇ ÍöÊàîÜ ÕôÔÑàõ¿¡ °üÇÑ ¿¬±¸ / A Study on Spatial Dynamics of Upper Class Houses in the Chosun
ÀúÀÚ¸í À̱ÝÁø ; ±èÁø±Õ
¹ßÇà»ç ´ëÇÑ°ÇÃàÇÐȸ
¼ö·Ï»çÇ× ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è, v.17 n.9 (2001-09)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(193) ÃÑÆäÀÌÁö(8)
ISSN 12269093
ÁÖÁ¦ºÐ·ù ¿ª»ç
ÁÖÁ¦¾î ½ÃÁö°¢ ; ¿îµ¿ ; °ø°£ ; ¿ªµ¿¼º ; visual perception ; movement ; space ; dynamics
¿ä¾à1 ÀüÅëÁÖ°Å°ÇÃàÀº ¸î °³ÀÇ Ã¤°¡ °¢°¢ ¸¶´çÀ» Áß½ÉÀ¸·Î ¹èÄ¡µÇ°í ´Ù½Ã ºñ¾îÀÖ´Â °ø°£µéÀº ÀÏÁ¤ÇÑ Çü½ÄÀ» °¡Áö°í ¿¬°áµÇ¹Ç·Î ¾Èä, »ç¶ûä, Çà¶ûä µîÀÇ °¢ ä¿Í ä°¡ °øÀ¯ÇÏ°í ÀÖ´Â ¸¶´çÀ» °æÇèÇÏ°Ô µÇ´Â ÁÖü°¡ ´Ù¸£´Ù. µû¶ó¼­ °ø°£À» ÀÌ¿ëÇÏ´Â ÁÖüÀÇ °æÇè¿¡ µû¶ó ¿ªµ¿¼ºÀº Â÷º°È­ µÇ¸ç, °ø°£°áÇÕ ¹æ¹ý¿¡ µû¸¥ üÇè ¶ÇÇÑ ´Ù¾çÇÏ°Ô µÈ´Ù. °ø°£ÀÚüÀÇ ¿ªµ¿°¨À̳ª ÇüÅ¿¡ ¼ö¹ÝµÇ´Â °ÍÀÌ ¾Æ´Ñ ½Ã°¢°ú ¿îµ¿, °ø°£°ü°è¿¡ µû¸¥ ¿ªµ¿°¨ÀÌ´Ù. ÀüÅë°ÇÃàÀÇ 3Â÷¿øÀû ÀÌÇØ´Â Æò¸éÀ̳ª ´Ü¸é µîÀÇ µµ¸é ºÐ¼®À̳ª °ü³äÀûÀÎ Çؼ®°ú´Â ´Ù¸£´Ù. ƯÈ÷ ¿ªµ¿Àû °üÁ¡À¸·Î ÆľÇÇÏ´Â °ø°£Àº ½ÇÁ¦Àû °æÇè¿¡ ÀÇÁ¸ÇÏ¸ç ¿òÁ÷ÀÓ°ú ½Ã°¢ÀÇ ¹ÝÀÀ°ú ´õºÒ¾î °ø°£ ÀÇ ¼º°ÝÀ» ±Ô¸íÇϴµ¥ Áß¿äÇÏ´Ù.

(¿¬±¸ ¹è°æ ¹× ¸ñÀû Áß¿¡¼­)
¿ä¾à2 Korean traditional architecture is represented in the various spaces where the statical and the dynamical coexisted within the boundary of order and balance. The purpose of this study is to reflect the theme 'Dynamics' in architecture based on the perception of space and psychology, and to conceptualize and to analyze the interrelation of formal element and space composition on the point of dynamics in Korean architecture. It is intended to classify the pattern of Upper Class Houses in the Chosun and to explain the effects of space through dynamics. The specific characters of Korean architecture are divided into formal¡¤spatial dynamics and the dynamics of body-movement and visual perception.
The spatial dynamics found through this study can be noted as follow: repetition of directional movement with continuity, and of the space reposed and divided by this movement; the intercross of visual continuity and spatial independence; and the crossing direction between view and movement, or view and space. The effect of this space is in the relative balance from different formal element, in the strain and rhythm from different spaces, and finally in the sense of independence, wideness, openness, closeness and acceleration.
¼ÒÀåó ´ëÇÑ°ÇÃàÇÐȸ
¾ð¾î Çѱ¹¾î
¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
1930-1960³â´ë ÇÑ¿Á ÁÖ°ÅÁöÀÇ ´ëû º¯È­¿¡ ´ëÇÑ ¿¬±¸
ȲÀçÂù(Hwang, Jae-Chan) ; ȲÁ¾±¹(Hwang, jong-kook) ; ±è»óÅÂ(Kim, Sang-Tae) ; ÀÌ°æ¾Æ(Lee, Kyung-Ah) - Çѱ¹°ÇÃ࿪»çÇÐȸ Ãß°èÇмú¹ßÇ¥´ëȸ ³í¹®Áý : (201711)
ÇÁ·Î±×·¥°ú ´ÙÀ̾î±×·¥ÀÇ Àû¿ëÀ» ÅëÇÑ °ÇÃà ÇüÅ »ý¼º ¿¬±¸
À±Çý°æ(Yoon Hae-Kyung) ; ±èÁÖ¿µ(Kim Ju-Young) ; È«¿øÈ­(Hong Won-Hwa) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.02 (201002)
·½ ÄðÇϽº¿Í Ä«Áî¿ä ¼¼Áö¸¶ °ÇÃà¿¡¼­ ³ªÅ¸³ª´Â ÇÁ·Î±×·¥ÀÇ Á¶Á÷°ú °ø°£±¸¼º ¹æ¹ýÀÇ ºñ±³ºÐ¼®
±Ç°æ¹Î ; ±èÁ¾Áø - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.6(Åë±Ç 65È£) (200712)
[³í¹®] °ø°£±¸¹®·Ð¿¡ ±âÃÊÇÑ °Ç°­°ËÁø¼¾ÅÍ µ¿¼±È¿À²¼º ºÐ¼® ¿¬±¸
¼Û½Â¾ð ; ±è¼®Å - Çѱ¹ÀǷẹÁö°ÇÃàÇÐȸÁö ¡ºÀǷᡤº¹Áö °ÇÃà¡» : v.18 n.4(Åë±Ç 49È£) (201211)
Á¶¼±Èıâ ÁöºØ±¸Á¶ÀÇ »õ·Î¿î ½Ãµµ
±èµ¿¿í - °ÇÃ࿪»ç¿¬±¸(Çѱ¹°ÇÃ࿪»çÇÐȸÁö) : v.19 n.2(Åë±Ç 69È£) (201004)
[ƯÁý] ±¹³» ģȯ°æ °ÇÃ๰ »ç·Ê ºÐ¼®
Á¤Áö³ª ; ±è¿ë¼® ; À̽¹Π- ±×¸°ºôµù(Çѱ¹±×¸°ºôµùÇùÀÇȸÁö) : v.9 n.1 (200803)
17¼¼±â ÀÌÈÄ ºÏºÎ º£Æ®³² ¸¶À»Àü°¢ÀÇ Àü´ç¸ðµ¨¿¡ °üÇÑ ¿¬±¸
ÀÌ°­¹Î(Lee Kang-Min) ; ÀüºÀÈñ(Jeon Bong-Hee) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.24 n.12 (200812)
[³í¹®] ÇÑ¿Á ¼³°èÀÇ ÃÖ±Ù °æÇâ ¿¬±¸
ÀÌÁÖ¿Á ; ÇÑÇÊ¿ø - °ÇÃ࿪»ç¿¬±¸(Çѱ¹°ÇÃ࿪»çÇÐȸÁö) : v.21 n.1(Åë±Ç 80È£) (201202)
ÇÑ¿Á º¸ÀüÀ» À§ÇÑ ¹ý·É °³Á¤ È¿°ú¿¡ °üÇÑ ¿¬±¸
ÀÌ°æ¾Æ(Lee, Kyung-Ah) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.30 n.5 (201405)
¼­¿ïÀÇ µµ½ÃÇÑ¿Á LDKÈ­¿¡ ÀÇÇÑ °ø°£±¸¼ºº¯Ãµ¿¡ °üÇÑ ¿¬±¸
±¸¼ö¿µ(Koo Soo-Young) ; ¹Ú¿ëȯ(Park Yong-Hwan) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.25 n.10 (200910)