| 수록사항 |
건축역사연구(한국건축역사학회지) , v.3 n.1(1994-06) |
| 주제어 |
자연해석 ; 비엔나 ; 아르누보 ; 추상장식 ; 근대성 ; Nouveau ; Viennese ; Modernity ; 자료2 |
| 요약1 |
Ornament in late ninetecnth century Art Nouveau movement, especially abstract ornament in Viennese Art Nouveau, has a veiy complex aesthetical backgkground. Ornament, for them was not just decorations in outer appearance, but a determinant element of formal languages. Abstract ornament in Viennese Art Nouveau has its theoretical and aesthetical bases in the Interpretation of nature, that is, the theory of the abstract ornament was founded on a new Interpretation of nature, which, in its turn, was derived from the differentiational seleetion of the contemporary views of nature. The modernity of abstract ornament consists in the vety fact that it was founded on a new interpretation of nature. This study alms at reviewing how the new interpretation of nature by abstract ornament criticized, rejeeted and accepted the contemporary views of nature. The overall tendency of this study is to synthesize and analyze the historical background of Viennes Art-Nouveau in regard to aesthetic theories of nature. The analysis method of this study is interpretation of written documents which are related to the issue. |
