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±â»ç¸í ½Ç³»µðÀÚÀο¡¼­ ObjectÀÇ ºñÀÏ»ó¼º ¿¬±¸ / A Study on the Non-everydayness of Interior Object £­ Focused on Nigel Coates¡¯ Early Commercial Interior Design £­ / Nigel CoatesÀÇ Ãʱ⠻ó¾÷°ø°£ÀÛǰÀ» Áß½ÉÀ¸·Î
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¼ö·Ï»çÇ× Çѱ¹°¡±¸ÇÐȸÁö(±¸. °¡±¸) , v.23 n.2(2012-04)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(185) ÃÑÆäÀÌÁö(10)
ISSN 1226-3109
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ÁÖÁ¦¾î object ; non-everydayness ; appropriation ; system
¿ä¾à2 Contemporary society maintains mass-product system that keeps endless cycle of making and consuming. In this vein, everyday life becomes to be under the control of function and efficiency. On the contrary, the people are getting to have a desire of escaping from this everydayness, that is, the desire for non-everydayness. British architect, Nigel Coates understood the potentiality of contemporary metropolis which produce new experiences through their heterogeneities. During 1980s, Japanese economic bubble provided rich nourishment to the desire for non-everydayness based on consumers¡¯ tastes. Nigel Coates snatched this phenomena and designed commercial spaces aligned to the non-everydayness. He shows very eloquent version of escaping sense. We can find the exquisite quality of non-everydayness through design vocabulary of object¡¯s form and arrangement. In the viewpoint of object form, Coates adopted classical statues of Greek, that is antique, and modern gadgets such as airplane wings and seats. Also, we can find abundant gestures of curvilineal contours throughout the objects he designed. As for the objects¡¯ arrangement, he introduced repetition and curved composition that can stimulate human interaction with interior scape.
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