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Architecture & Urban Research Institute

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±â»ç¸í 1980³â´ë ÀÌÈÄ ½º¿þµ§ °¡±¸µðÀÚÀÎÀÇ Æ¯¼º¿¡ °üÇÑ ¿¬±¸ / A Study on the Characteristics of the Swedish Furniture Design since 1980s - In Reference to Changes of Contemporary Design Paradigms / µ¿½Ã´ë µðÀÚÀÎ Æз¯´ÙÀÓ º¯È­¿Í °ü·ÃÇÏ¿©
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¼ö·Ï»çÇ× Çѱ¹°¡±¸ÇÐȸÁö(±¸. °¡±¸) , v.23 n.1(2012-01)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(10) ÃÑÆäÀÌÁö(16)
ISSN 1226-3109
ÁÖÁ¦ºÐ·ù °èȹ¹×¼³°è
ÁÖÁ¦¾î swedish furniture design ; contemporary design paradigm ; contemporary furniture design
¿ä¾à2 This article aimed at understanding the characteristics of Swedish furniture design since 1980s in the reference to the major paradigm changes in the contemporary design field. For this, the authors examined the theoretical background of modern and post-modern design paradigms to identify today¡¯s design tendencies. And we used this frame in the analysis of the latest examples of Swedish furniture design. The main characteristics of Swedish furniture design since 1980s included ¡®furniture as art object¡¯, ¡®the succession of the Swedish Modern (neo-modernism)¡¯, and ¡®conscious design for sustainable development¡¯. These could be viewed as the consequences of the choices that the Swedish furniture industry and designers made during the last decade, that was to take plurality and contradiction as the accompanying values of the traditional Swedish modern design.
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