°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > Àú³Î > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 50 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â

Çѱ¹°ÇÃ࿪»çÇÐȸ|°ÇÃ࿪»ç¿¬±¸(Çѱ¹°ÇÃ࿪»çÇÐȸÁö) 2010³â 8¿ù

±â»ç¸í [³í¹®] ¿ì¸®³ª¶ó »çÂû°ÇÃà¿¡¼­ ÜåÝÖ°ú Ë»àã°ø°£ÀÇ º¯È­°úÁ¤ / The Transition Process of Ritual(Worship)(ÜåÝÖ) and Lecture(Ë»àã) Space in a Korean Buddhist Temple
ÀúÀÚ¸í È«º´È­½Äº°ÀúÀÚ
¹ßÇà»ç Çѱ¹°ÇÃ࿪»çÇÐȸ
¼ö·Ï»çÇ× °ÇÃ࿪»ç¿¬±¸(Çѱ¹°ÇÃ࿪»çÇÐȸÁö) , v.19 n.4(Åë±Ç 71È£)(2010-08)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(109) ÃÑÆäÀÌÁö(15)
ISSN 15981142
ÁÖÁ¦ºÐ·ù ¿ª»ç
ÁÖÁ¦¾î »çÂû°ÇÃà ; ¾çºÒÀü ; ±Ý´ç ; °­´ç ; ¹ý´ç ; ºÒÀü ; û±Ô ; ¼±Á¾ ; Buddhist temple ; duo Buddhist sanctums ; the main building of a temple ; auditorium ; Buddhist sanctuary ; Buddhist altar ; Cheonggyu ; Zen Buddhism
¿ä¾à2 The main functions of a Buddhist temples are as a place for Buddhist services and a place for sermons and each ancient Buddhist temple was equipped with a main and separate building. After Zen Buddhism was first introduced, there was a tendency to change the terms to Buddhist sanctuary and altar, as set forth in the Zen Buddhism code of conduct called 'Cheonggyu(ôèЮ)'. As such, it was thought that the division between Buddhist service space and preaching space were relatively firm until the Goryeo Dynasty. However in the period from the end of the Goryeo to the beginning of the Joseon Dynasty there was an increasing tendency of integration of the two buildings. It can be seen that, in cases where both buildings remained, statues of Buddha were enshrined in these buildings without any distinction. Eventually it is led to the tradition of duo-Buddhist sanctums.
¼ÒÀåó Çѱ¹°ÇÃ࿪»çÇÐȸ
¾ð¾î Çѱ¹¾î
ºÐ¼®¼­Áö
°ÇÃ࿪»ç ¹× ÀÌ·Ð > Çѱ¹ ÀüÅë°ÇÃà > ºÒ±³°ÇÃà

ÇöÁ¸ÇÏ´Â ÀüÅë»çÂûµé¿¡¼­´Â ¹èÄ¡»ó À§°èÀÇ ¿ì¿­À» °¡¸®±â Èûµç µÎ °³ÀÇ ºÒÀüÀÌ ¹èÄ¡µÈ »çÂûµéÀÌ Á¸ÀçÇÑ´Ù. ±× µ¿¾ÈÀº ÀÌ·¯ÇÑ ¹èÄ¡¸¦ Á¾ÆÄÀû Â÷À̳ª ÁöÇü¿¡ ÀûÀÀÇÏ´Â °ÇÃàÀû Çü»ó¿¡ ÀÇÇØ »ý°Ü³­ °ÍÀ¸·Î º¸´Â °æÇâÀÌ ÀϹÝÀûÀ̾ú´Ù. ÀÌ ¿¬±¸¿¡¼­´Â ÀÌ·¯ÇÑ ¾çºÒÀü ¹èÄ¡ÀÇ Çü¼º°úÁ¤À» »çÂûÀÇ ±Ùº»ÀûÀÎ ±â´ÉÀÎ ÜåÝÖ°ú Ë»àãÀÇ ±â´ÉÀ» ÇÏ´Â °Ç¹°ÀÇ º¯È­¸¦ ¹ÙÅÁÀ¸·Î ºÒ±³ÀÇ ½Ã´ëÀû º¯È­ ¶ÇÇÑ °í·ÁÇϸ鼭 ¾çºÒÀü Çü¼ºÀÇ ¸Í¾Æ¿Í ÀüÅëÀ» °Å½ÃÀû º¯È­ ¼Ó¿¡¼­ »ìÆìº¸°í ÀÖ´Ù.
¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
Á¶¼±Èıâ ÁöºØ±¸Á¶ÀÇ »õ·Î¿î ½Ãµµ
±èµ¿¿í - °ÇÃ࿪»ç¿¬±¸(Çѱ¹°ÇÃ࿪»çÇÐȸÁö) : v.19 n.2(Åë±Ç 69È£) (201004)
[ÀÚ·á] ÇÑ¿ÁÀÇ ¼³°è¿Í ½Ã°ø±â¹ý
±èµµ°æ - °ÇÃ࿪»ç¿¬±¸(Çѱ¹°ÇÃ࿪»çÇÐȸÁö) : v.17 n.6(Åë±Ç 61È£) (200812)
Çѱ¹ ÀüÅë°ÇÃà ÆÈÀÛÁöºØÀÇ Ê­Ï°¿¡ °üÇÑ ¿¬±¸
¾çÀ翵(Yang Jae-Young) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.25 n.02 (200902)
Á¶¼±Èı⠼±ÀÚ¿¬ Ä¡¸ñ±â¹ý¿¡ °üÇÑ ¿¬±¸
±è¿ÕÁ÷(Kim Wang-Jik) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.05 (201005)
Á¶¼±½Ã´ë »çÂû°ÇÃà¿¡¼­ »çµ¿ÁßÁ¤Çü¹èÄ¡ÀÇ Çü¼º°úÁ¤
È«º´È­(Hong Byung-Hwa) ; ±è¼º¿ì(Kim Seong-Woo) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.25 n.03 (200903)
ðÈàØãÁÓÛ ñìöµÙÊðãËïõéÀÇ ï®ÊÇÝ» ʭϰÛöÀÇ Çü½Ä°ú ±¸Á¶Àû Ư¼º
ÀÌÀº¼ö(Lee Eun-Soo) ; È«º´È­(Hong Byung-Hwa) ; ±è¼º¿ì(Kim Sung-Woo) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.25 n.12 (200912)
[½Ã·Ð] 4Â÷ »ê¾÷Çõ¸í ½Ã´ë, °ÇÃàÀÇ ´ëÀÀ
À̸í½Ä(Lee, Myung-Sik) - °ÇÃà(´ëÇѰÇÃàÇÐȸÁö) : Vol.61 No.05 (201705)
[³í¹®] ¼®Å¾ ž±¸(÷²Ï¡)ÀÇ ¿ªÇÒ ¹× º¯Ãµ¿¡ °üÇÑ ¿¬±¸
Á¤ÇصΠ; Àå¼®ÇÏ - °ÇÃ࿪»ç¿¬±¸(Çѱ¹°ÇÃ࿪»çÇÐȸÁö) : v.19 n.1(Åë±Ç 68È£) (201002)
¼þ·Ê¹®°ú ÈïÀÎÁö¹®ÀÇ ±¸Á¶Ã¼°è ºñ±³ ¿¬±¸
À̿ձâ(Lee Wang-Kee) ; ±è»óÁ¶(Kim Sang-Jo) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.24 n.8 (200808)
Á¶¼±Èı⠼­±î·¡ ¼³Ä¡¹æ½ÄÀÇ º¯È­¿Í ÀǹÌ
È«º´È­(Hong Byung-Hwa) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.27 n.1 (201101)
¡á Á¦ 1 ÀúÀÚÀÇ ´Ù¸¥ ¹®Çå ½Äº°ÀúÀÚ´õº¸±â
¼ººÏ±¸ º¸¹®»ç ¼±ºÒÀåÀÇ °ÇÃàÀû °¡Ä¡
È«º´È­(Hong, Byung-Hwa) - Çѱ¹°ÇÃ࿪»çÇÐȸ Ãß°èÇмú¹ßÇ¥´ëȸ ³í¹®Áý : (201711)
Á¶¼±Á߱⠰øÆ÷Çü½Ä °£ÀÇ Àå½Ä¿ä¼Ò »óÈ£¿µÇâ°ú ±× ÀǹÌ
È«º´È­(Hong, Byung-Hwa) - °ÇÃ࿪»ç¿¬±¸(Çѱ¹°ÇÃ࿪»çÇÐȸÁö) : Vol.25 No.6(Åë±Ç 109È£) (201612)
[³í¹®] 14¼¼±â ¿ø °ÇÃàÀÇ ¿µÇâ°ú °í·ÁÀÇ ¼ö¿ë
È«º´È­(Hong, Byung-Hwa) - °ÇÃ࿪»ç¿¬±¸(Çѱ¹°ÇÃ࿪»çÇÐȸÁö) : Vol.25 No.5(Åë±Ç 108È£) (201610)
[³í¹®] ¼±¾Ï»ç ¡®´ë°¢±¹»çÁßâ°Çµµ¡¯¿¬±¸
È«º´È­ - °ÇÃ࿪»ç¿¬±¸(Çѱ¹°ÇÃ࿪»çÇÐȸÁö) : v.21 n.3(Åë±Ç 82È£) (201206)
[³í¹®] Áß±¹¡¤ÀϺ»°ú ¿ì¸®³ª¶óÀÇ Ã߳༳ġ¹æ½ÄÀÇ ºñ±³ ¿¬±¸
È«º´È­ - °ÇÃ࿪»ç¿¬±¸(Çѱ¹°ÇÃ࿪»çÇÐȸÁö) : v.21 n.2(Åë±Ç 81È£) (201204)
9~11¼¼±â Áß¹Ý ºÎ¼®»ç ¹«·®¼öÀü ¿µ¿ªÀÇ °ÇÃà°èȹ°ú ±¸¼º¿ä¼Ò
È«º´È­(Hong Byung-Hwa) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.27 n.9 (201109)
Á¶¼±Èı⠼­±î·¡ ¼³Ä¡¹æ½ÄÀÇ º¯È­¿Í ÀǹÌ
È«º´È­(Hong Byung-Hwa) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.27 n.1 (201101)
[³í¹®] ±Í°íÁÖ¹æ½ÄÀÇ Á¶¿µÀüÅë°ú ÀǹÌ
È«º´È­ ; ÀÌÀº¼ö - °ÇÃ࿪»ç¿¬±¸(Çѱ¹°ÇÃ࿪»çÇÐȸÁö) : v.19 n.3(Åë±Ç 70È£) (201006)
°í·Á½Ã´ë »çÂûÁ߽ɿµ¿ª ¹èÄ¡º¯È­ÀÇ °ÇÃà°í°íÇÐÀû °íÂû
È«º´È­ ; ±èÁø´ö - Çѱ¹°ÇÃ࿪»çÇÐȸ Ãá°èÇмú¹ßÇ¥´ëȸ ³í¹®Áý : (201005)
ðÈàØãÁÓÛ ñìöµÙÊðãËïõéÀÇ ï®ÊÇÝ» ʭϰÛöÀÇ Çü½Ä°ú ±¸Á¶Àû Ư¼º
ÀÌÀº¼ö(Lee Eun-Soo) ; È«º´È­(Hong Byung-Hwa) ; ±è¼º¿ì(Kim Sung-Woo) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.25 n.12 (200912)